Carteggio / Correspondance
by Artemisia Gentileschi, introduction and notes by Francesco Solinas and edited and translated by Adelin Charles Fiorato
Paperback (Published)
(June 2016)
ISBN: 9782251730431
4.88 x 7.6 inches
Price: $70.00
In stock
English summary: This book is a bilingual edition of the complete correspondences of Artemisia Lomi Gentileschi (1593-1654), one of the first Western female painters. It is the first book to bring together, with critical commentary and annotations, the entirety of her known correspondence. French description: J’assure Votre Seigneurie Illustrissime que ce sont la des tableaux qui comportent des figures nues et des femmes, qui coutent tres cher et vous causent de grands casse-tete. Quant a vouloir faire des esquisses et a les envoyer, j’ai fait resolument le voeu de n’envoyer jamais plus d’esquisses de ma main, car j’ai ete victime de fort mechants tours; et en particulier, aujourd’hui meme, je me suis trouvee avoir fait une esquisse sur des ames du Purgatoire pour l’eveque de Sant’Agata, et cette esquisse, pour depenser moins, on l’a fait executer par un autre peintre, lequel peintre travaille a partir des fruits de mon labeur. Si j’avais ete un homme, je ne sais comment cela se serait passe. Lettre a Antonio Ruffo, 1649
Preface de Francesco SolinasIntroduction a la Correspondance parAdelin Charles FioratoReperes biographiquesCorrespondanceA. L'episode du violB. Correspondance avecFrancesco Maria Maringhi et autres C. Lettres aux ChevaliersCassiano dal Pozzo et Andrea Ciolo, a Galileo Galilei, aux ducs de Modene et de FlorenceD. Lettres a Don Antonio Ruffo Notes de la traduction francaiseTable des LettresBibliographie
- By (author) Artemisia Gentileschi
- Introduction and notes by Francesco Solinas
- Edited and translated by Adelin Charles Fiorato
Other Titles in this Series
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
