Financing Music in Europe
Edited by Etienne Jardin
This book investigates the various aspects of financing the European music world.
The way in which music was financed from the 18th to the early 20th centuries has usually been depicted as a slow transition from private investment (or patronage) to more public forms of financial support. In particular, the later 18th and earlier 19th centuries marked fundamental changes in European life with the development of new technologies and expanding market economies. Composers and musicians, no longer bound by service to a court or a patron, were fully integrated into the musical market, and new categories emerged, such as theatre impresarios and the artistic agent. During the second half of the 19th century, the concept of a career as a concert musician began to take shape concurrently with the second Industrial Revolution. This book investigates the various aspects of financing the music world – in court, on lyrical stages, for concerts, or even music schools – and ask the question: did the provenance of funding and the funder’s identity have an impact on music itself?
Etienne Jardin Preface Economic Models Berthold Over Music in the Court Budget: The Example of the Bavarian Court in Munich (1570-1802) Morton Wan Handel's Financial Sublime: Sounding the South Sea Bubble of 1720 Sean Reilly The New-German School and the 'Retreat to the Court': Reconciling Conflicts between Claims of Autonomy and Reliance on Noble Patronage in the Early Years of the Allgemeiner Deutscher Musikverein (1859-1868) Remy Campos Donner un concert: les formes de la liberalite dans les salons parisiens (1870-1914) Katharine Ellis Broke: Tales from the French Opera Industry Anna Wright The Funding of Conservatoires in Late Nineteenth-Century England Eighteenth-Century Opera Mirijam Beier How to Finance a Singer's Life and Career in the Italian Opera Business of the Eighteenth Century Eric Boaro Gambling as a Source of Opera Funding: The Case of the Regio Ducal Teatro of Milan (1717-1776) Davide Mingozzi "Non sara lecito a chiunque di aprire teatri in citta": l'impresa dei teatri a Genova (1772-1773) Maxime Margolle L'economie de l'opera-comique a la fin du XVIIIe siecle (1783-1801) Across Borders Jeroen van Gessel Money as the Missing Link: Interpreting Cultural Politics in the Strasbourg Opera (1870-1918) through the Lens of Finance Megan Estela Maurice Grau et l'age d'or du Metropolitan Opera Jules Cavalie The 'Saison Italienne' at the Theatre du Chatelet in Paris in May and June 1910: The Development of a Branded Product, between Public Institutional Model and Private International Entrepreneurship Gabriele Slizyte Propagande diplomatique, management et financement des artistes: le role de l'Association francaise d'action artistique dans la carriere americaine des musiciens francais au debut du xxe siecle Concerts Maria Encina Cortizo-Ramon Sobrino Musicians as Entrepreneurs: Private Music Societies in Crisis Times in Spain (1868-1874) Simon McVeigh Piano Manufacturers and Concert Promotion in Edwardian London: New Light on the Broadwood Concerts (1902-1912) Kristin Van den Buys Financing Modernist Music: The Rise, Climax and Decline (1920-1936) of Modernist Music in Commercial Concert Societies in Brussels and Its Revival (1936-1940) at the Fully Subsidized National Radio Belgian Broadcasting Institute Chris Marshall Calling the Tune: A Commissioning Fund for the BBC Proms, 1960-1985 Editions Cesar Leal Music Publications: Artifacts and Instruments of the Music Industry Haiganu? Preda-Schimek Creative and Economic Networks: A Case Study in Romanian Folk Music Published in Vienna around 1850 Abstracts and Biographies Index of Names
- Edited by Etienne Jardin
Other Titles in this Series
Remapping the Classics
Haydn, Mozart and Beethoven in Spain during the Long Nineteenth Century
Volume 54
Singing Speech and Speaking Melodies
Minor Forms of Musical Theatre in the 18th and 19th Century
Volume 43
La Musique religieuse en France au XIXe siecle
Le sentiment religieux entre profane et sacre (1830-1914)
Volume 44
Of Signs and Sounds
Musical Interpretation and Performance from the 19th to the 21st Century
Volume 58
Beethoven the European
Transcultural Contexts of Performance, Interpretation and Reception
Volume 48
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