Between Centres and Peripheries
Music in Europe from the French Revolution to WWI
Edited by Maria Encina Cortizo Edited by Ivan Nommick
This volume focuses on the European musical life from the French Revolution to WWI
This volume revisits the artificial and enormously limiting historiographical concepts of centre and periphery in European musical life throughout the long 19th century and until the outbreak of the First World War. In this period, music played a prominent role, and cities such as Paris, Vienna, Milan or London, real laboratories of artistic creation, became social and cultural references for the rest of the continent, whose inhabitants strove to imitate their musical habits such as concert and theatrical life, soirees, parties or musical promenades. From diverse perspectives, this volume rethinks the singularity, influence and connections of different European musical centres, analysing the reproduction of cultural models and the conflicts that these models imposed on the peripheries, most of which have been ignored in the historiography of Western European music. In addition, it will also address the birth of musico-national languages situated on the European geographical margins, that develop interesting synergies between universality and nationality. The peripheral models of musical production and circulation in contexts far from the usual musical venues will also be addressed, as well as the derived cultural transfers.
- Edited by Maria Encina Cortizo
- Edited by Ivan Nommick
Other Titles in this Series
Sound of Empire
Soundscapes, Aesthetics and Performance between Ancien regime and Restoration
Volume 51
Vivaldi, Motezuma and the Opera Seria
Essays on a Newly Discovered Work and its Background
Volume 13
Remapping the Classics
Haydn, Mozart and Beethoven in Spain during the Long Nineteenth Century
Volume 54
Singing Speech and Speaking Melodies
Minor Forms of Musical Theatre in the 18th and 19th Century
Volume 43
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