The Opera-comique in the Eighteenth and Nineteenth Centuries
Edited by Lorenzo Frassa
The subject of this book, edited by Lorenzo Frassa, is the Opera-comique as an art form, compositional genre, institution and production process. The volume will consist of a close examination of the genre of the Opera-comique and the great masterpieces and artists who have sustained this form of musical theatre and prevented it from
The subject of this book, edited by Lorenzo Frassa, is the Opera-comique as an art form, compositional genre, institution and production process. The volume will consist of a close examination of the genre of the Opera-comique and the great masterpieces and artists who have sustained this form of musical theatre and prevented it from falling into oblivion. The freedom given to authors in selecting the subject of their contribution has made it possible to bring together subjects that appear disparate, but which are in fact complementary and indispensable to all who wish to investigate the Opera-comique’s varying facets, and also receive a comprehensive overview. The collection of essays encompasses the heterogeneous world of institutions, traditions, works and composers that can be assimilated into the frame of “Opera-comique”.
- Edited by Lorenzo Frassa
Other Titles in this Series
Vivaldi, Motezuma and the Opera Seria
Essays on a Newly Discovered Work and its Background
Volume 13
Remapping the Classics
Haydn, Mozart and Beethoven in Spain during the Long Nineteenth Century
Volume 54
Singing Speech and Speaking Melodies
Minor Forms of Musical Theatre in the 18th and 19th Century
Volume 43
La Musique religieuse en France au XIXe siecle
Le sentiment religieux entre profane et sacre (1830-1914)
Volume 44
Of Signs and Sounds
Musical Interpretation and Performance from the 19th to the 21st Century
Volume 58
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