Music and Dictatorship in Europe and Latin America
Edited by Massimiliano Sala Edited by Roberto Illiano
In this book, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco’s Spain, Salazar’s Portugal, or in Revolutionary Cuba). The contributors are: Rachel Beckles Willson, Dario Borim, Steve Butterman, Teresa Cascudo, Myriam Chimenes, Regis Duprat, Christoph Flamm, Marina Frolova-Walker, Thomas Garcia, Melita Milin, Simone Munz, Marcos Napolitano, Nina Noeske, Karen Painter, Gemma Perez Zalduondo, Daniel Perry, Carlo Piccardi, Marc-Andre Roberge, Katy Romanou, Mattias Tischer, Andrzej Tuchowski, Luis Velasco Pufleau, Pablo Vila, Maria Alice Volpe.
EUROPE France: M. Chimenes, Musique et musiciens en France sous le regime de Vichy (1940-1944) - Greece: K. Romanou, Exchanging Rings under Dictatorships - Germany: N. Noeske & M. Tischer, Eine viel zu kurze Geschichte der Musikverhaltnisse der DDR - Germany: K. Painter, Musical Aesthetics and National Socialism - Germany: M.-A. Roberge, Limpact des guerres mondiales et de la dictature nazie sur le periodique Die Musik - Italy: C. Piccardi, La parabola Renzo Massarani, compositore ebreo nellombra del fascismo - Poland: A. Tuchowski, The Impact of the Communist Dictatorship and Its Transformations on the Identity of Polish Music in the Years 1945-1989 - Portugal: T. Cascudo, Art Music in Portugal during the Estado Novo - Russia: C. Flamm, Das Problem sowjetische Musikgeschichte. Gedanken zu einer schwierigen Vergangenheitsbewaltigung - Russia: M. Frolova-Walker, The Glib, the Bland, and the Corny: An Aesthetics of Socialist Realism - Serbia: M. Milin, Dictatorship and Serbian Music in the 20th Century - Spain: G. Perez Zalduondo, Formulacion, fracaso y despertar de la conciencia critica en la musica espanola durante el franquismo (1936-1958) - Hungary: R. Beckles Willson, Memory, Dictatorship, and Trauma: Ligeti at the Hungarian Musicians Union 1949-1953 LATIN AMERICA Argentina: P. Vila, Tiempos dificiles, tiempos creativos: rock y dictadura en Argentina - Brazil: D. Borim, Tropicalist Mutantes: Dada and Kitsch under Dictatorship - Brazil: S. Butterman, Ney e gay, nao e? The Emergence and Performance of Queer Identities in Brazilian Popular Music (MPB) under Dictatorship - Brazil: R. Duprat & M. A. Volpe, Vanguardas e Posturas de Esquerda na Musica Brasileira (1920 a 1970) - Brazil: T. Garcia, Music and the Brazilian Estado Novo: Getulio Vargas, Heitor Villa-Lobos and a National Music Education System - Brazil: M. Napolitano, O Musica Popular Brasileira (MPB) nos anos de chumbo do regime militar (1969/1975) - Cuba: S. Munz, Popular Political Music in Revolutionary Cuba - Chile: D. Perry, Beyond 'Protest Song': Popular Music in Pinochet's Chile (1973-1990) - Mexico: L. Velasco Pufleau, Nacionalismo, autoritarismo y construccion cultural: Carlos Chavez y la creacion musical en Mexico (1921-1952)
Massimiliano Sala is Vice President of the Centro Studi Opera Omnia Luigi Boccherini (Lucca) and Secretary Treasurer of the Italian National Edition of Pietro Antonio Locatelli’s Complete Works. On the Board of the Scholarly Committees of the Italian National Edition of Muzio Clementi’s Complete Works and Italian National Edition of Luigi Boccherini’s Complete Works, he is a founder of Ad Parnassum Journal. His publications include writings on eighteenth- to twentieth-centuries music.
- Edited by Massimiliano Sala
- Edited by Roberto Illiano
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En pelerinage avec Liszt
Virtuosos, Repertoire and Performing Venues in 19th-Century Europe
Volume 24
Remapping the Classics
Haydn, Mozart and Beethoven in Spain during the Long Nineteenth Century
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