Sensory Perception in the Medieval West
Edited by Simon Thomson Edited by Michael Bintley
What was it like to experience the medieval world through one’s senses? Can we access those past sensory experiences, and use our senses to engage with the medieval world? How do texts, objects, spaces, manuscripts, and language itself explore, define, exploit, and control the senses of those who engage with them? This collection of essays seeks to explore these challenging questions. To do so is inevitably to take an interdisciplinary and context-focused approach. As a whole, this book develops understanding of how different fields speak to one another when they are focused on human experiences, whether of those who used our sources in the medieval period, or of those who seek to understand and to teach those sources today. Articles by leading researchers in their respective fields examine topics including: Old English terminology for the senses, effects of the digitisation of manuscripts on scholarship, Anglo-Saxon explorations of non-human senses, scribal sensory engagement with poetry, the control of sound in medieval drama, bird sounds and their implications for Anglo-Saxon sensory perception, how goldwork controls the viewing gaze, legalised sensory impairment, and the exploitation of the senses by poetry, architecture, and cult objects.
What was it like to experience the medieval world through one’s senses? Can we access those past sensory experiences, and use our senses to engage with the medieval world? How do texts, objects, spaces, manuscripts, and language itself explore, define, exploit, and control the senses of those who engage with them? This collection of essays seeks to explore these challenging questions. To do so is inevitably to take an interdisciplinary and context-focused approach. As a whole, this book develops understanding of how different fields speak to one another when they are focused on human experiences, whether of those who used our sources in the medieval period, or of those who seek to understand and to teach those sources today. Articles by leading researchers in their respective fields examine topics including: Old English terminology for the senses, effects of the digitisation of manuscripts on scholarship, Anglo-Saxon explorations of non-human senses, scribal sensory engagement with poetry, the control of sound in medieval drama, bird sounds and their implications for Anglo-Saxon sensory perception, how goldwork controls the viewing gaze, legalised sensory impairment, and the exploitation of the senses by poetry, architecture, and cult objects.
- Edited by Simon Thomson
- Edited by Michael Bintley
Other Titles in this Series
Homo Legens
Styles et pratiques de lecture: Analyses comparees des traditions orales et ecrites au Moyen Age / Styles and Practices of Reading: Comparative Analyses of Oral and Written Traditions in the Middle Ages
Volume 26
Looking Back from the Invention of Printing
Mothers and the Teaching of Reading in the Middle Ages
Volume 40
Medieval Women in Letters
Letters by Women, to Women, and about Women in Medieval Literatures
Volume 66
Writing Names in Medieval Sacred Spaces
Inscriptions in the West, from Late Antiquity to the Early Middle Ages
Volume 56
Manuscript Communication
Visual and Textual Mechanics of Communication in Hagiographical Texts from the Southern Low Countries, 900-1200
Volume 32
Literacy in Medieval and Early Modern Vilnius
Forms of Writing and Rhetorical Spaces in the City
Volume 55
Orality and Literacy in the Middle Ages
Essays on a Conjunction and its Consequences in Honour of D. H. Green
Volume 12
Documenting the Everyday in Medieval Europe
The Social Dimensions of a Writing Revolution, 1250-1350
Volume 42
Understanding Monastic Practices of Oral Communication (Western Europe, tenth-thirteenth centuries)
Volume 21
Seeing the Invisible in Late Antiquity and the Early Middle Ages
Papers from Verbal and Pictorial Imaging: Representing and Accessing Experience of the Invisible, 400-1000 (Utrecht, 11-13 December 2003)
Volume 14
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