Le temps qui compte

Construction et qualification du temps de l'histoire dans lerécit des livres de Samuel (1 S 1 - 1 R 2)

By (author) B. Oiry

Extent: 526 pages

Publisher: Peeters Publishers

Subjects: Biblical Studies

Series: Bibliotheca Ephemeridum Theologicarum Lovaniensium

Series volume number: 318

Language: French

Paperback (Published)

(September 2021)

ISBN: 9789042944077

Price: $112.00

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PDF (Published)

(September 2021)

ISBN: 9789042944084

Price: $140.00

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Synopsis
Contributing Authors

Les livres de Samuel (1 S 1 – 1 R 2)se presentent comme un recit a pretention historiographique. Ils relatent le siecle d’histoire qui va de la naissance de Samuel a la mort de David. Pour raconter cette longue periode dans la duree relativement breve du recit, le narrateur ne cesse d’operer des choix temporels d’ordre divers. Le present ouvrage s’interesse a la construction du temps du recit. Il s’agit de voir comment cette construction vise non seulement a rendre compte du cours de l’histoire mais surtout a le qualifier. En effet, l’ensemble des choix temporels semble conduit par un souci mimetique mais il constitue surtout un propos implicite sur la signification des evenements rapportes. Les formes et les modes de l’articulation entre le temps du recit et le temps de l’histoire se revelent donc etre un lieu privilegie pour apprehender la visee du projet historiographique de 1 S 1 – 1 R 2. Les composantes les plus significatives de cette articulation sont les indications calendaires qui balisent la narration, la preeminence donnee a l’unite du jour, l’organisation de sequences de jours, la conjugaison des ressources temporelles propres aux trois genres litteraires presents en 1 S 1 – 1 R 2: le recit, l’oracle prophetique et le poeme lyrique. Chacun de ces elements fait l’objet d’une etude systematique. Ils sont ensuite envisages ensemble, dans leur contribution commune a la mise en valeur de ce qu’on pourrait appeler le temps qui compte dans ce siecle d’histoire. La tapisserie de Gleb, qui illustre la couverture, representeles quatre lettres hebraiques du nom divin hwhy YHWH. Elles sont disposees detelle sorte qu’on peut y voir egalement une figuration humaine. Cette oeuvreentre en resonance avec la recherche menee dans le present ouvrage. Dansl’epaisseur du tissu narratif, dans sa texture ou se croisent comme autant defils des voix aux temporalites distinctes, les modalites de l’articulationserree entre l’action divine et celle des humains sont finement explorees. Ellesinvitent le lecteur a un examen attentif. Qui voit-il a l’oeuvre dansl’histoire?

By (author) B. Oiry

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