L’art de conduire la pensee en Inde ancienne

Nyaya-Sutra de Gautama Aksapada et Nyaya-Bhasya d'Aksapada Paksilasvamin

by Aksapada Paksilasvamin and Gautama Aksapada, edited and translated by Michel Angot

Book cover: L’art de conduire la pensee en Inde ancienne

Extent: 896 pages

Publisher: Les Belles Lettres

Subjects: Asian/Pacific Studies & Religions

Series: Collection Indika

Series volume number: 2

Language: French

Paperback (Published)

(October 2009)

ISBN: 9782251720517

Price: $82.00

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Synopsis
Contributing Authors

Le Nyaya-Sutra et surtout le Nyaya-Bhasya representent le questionnement originel des philosophes sanskrits de l’Inde ancienne. On y discute de tout, avec une belle allegresse, jusqu’a poser les regles de l’art du debat et de la pensee en un temps ou la dialectique n’est pas encore devenue de la logique, mais constitue une pratique spirituelle au service de la presence au monde. Le Nyaya des origines, avant de devenir le regard ou l’intelligente raison contemple ses formes seches, affiche une belle liberte d’esprit qu’on n’attend pas a propos d’une culture souvent decrite comme celle des verites soteriologiques et des chimeres mythologiques. On ne peut savoir quel etait l’art de vivre de ces philosophes, mais le Nyaya montre comment ils avaient developpe un art de diriger la pensee dans la direction de la vie.

By (author) Aksapada Paksilasvamin
By (author) Gautama Aksapada
Edited and translated by Michel Angot

Other Titles in this Series

Caraka-Samhita. Traite d’Ayurveda – Volume I

Le livre des Principes (Sutrasthana) et le Livre du Corps (Sharirasthana)

Volume 2

edited and translated by Michel Angot

Le Yoga-Sutra de Patanjali suivi du Yoga-Bhasya de Vyasa

La parole sur le silence

Volume 1

edited and translated by Michel Angot

Harivamsa ou Lignee de Hari

Une vie traditionnelle de Krsna

introduction and notes by Andre Couture, translated by Andre Couture

Sanskrit commentarial, tome I

Volume 4

by Michel Angot

Mahabhasya de Patanjali. Paspasa

Volume 5

edited and translated by Michel Angot

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