Imagining the Book
Edited by Stephen Kelly Edited by John J Thompson
Collectively, the contributors to Imagining the Book offer a snapshot of current research in English manuscript study in the pre-modern period on the inter-related topics of patrons and collectors, compilers, editors and readers, and identities beyond the book. This volume responds to the recent development and institutionalization of ‘History of the Book’ within the wider English Studies discipline. Scholars working in the pre-printing era with the material vestiges of a predominantly manuscript culture are currently establishing their own models of production and reception. Research in this area is now an accepted part of twenty-first century Medieval Studies. Within such a context, it is frequently observed that scribal culture found imaginative ways to deal with the technological watersheds represented by the transition from memory to written record, roll to codex, or script to print. In such an ‘eventful’ environment, texts and books not infrequently slip through the semi-permeable boundaries laboured over by previous generations of medievalists, boundaries that demarcate orality and literacy; ‘literary’ and ‘historical’; ‘religious’ and ‘secular’; pre- and post-Conquest compositions, or ‘Medieval’ and ‘Renaissance’ attitudes and writings. Once texts are regarded as offering indices of community- or self-definition, or models of piety and good behaviour (and the codices holding them statements of prestige and influence), the book historian is left to contemplate the real or imagined importance and status of books and writting within the larger socio-political, often local, milieux in which they were once produced and read. All fourteen essays in this volume question the status of the book in a predominantly manuscript culture. Some focus on the practical politics of book production and local circumstances; others focus on the visual experience of early readers. In this volume, the idea of the pre-modern vernacular book is pursued in terms of its miscellaneity and its association with localised writing projects undertaken by (and occasionally also for) a polyglot and sometimes also socially-aware English readership. Such investigation is valuable since it enables us to recognise the textual networks, the sources and the readership that mark the pre-modern codex as an important medium of social and literary exchange quite distinct from printed books.
- Edited by Stephen Kelly
- Edited by John J Thompson
Other Titles in this Series
The Social Life of Illumination
Manuscripts, Images, and Communities in the Late Middle Ages
Volume 21
Writing and Reading in Medieval Manuscript Culture
The Translation and Transmission of the Story of Elye in Old French and Old Norse Literary Contexts
Volume 25
Grant risee?
The Medieval Comic Presence / La Presence comique medievale: Essays in Memory of Brian J. Levy
Volume 11
Historical Narratives and Christian Identity on a European Periphery
Early History Writing in Northern, East-Central, and Eastern Europe (c.1070-1200)
Volume 26
Learning and Understanding in the Old Norse World
Essays in Honour of Margaret Clunies Ross
Volume 18
The Playful Middle Ages
Meanings of Play and Plays of Meaning: Essays in Memory of Elaine C. Block
Volume 23
Survival and Success on Medieval Borders
Cistercian Houses in Medieval Scotland and Pomerania from the Twelfth to the Late Fourteenth Century
Volume 24
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