Genres of Mark

Reading Mark's Gospel from Micro and Macro Perspectives

Contributions by Tobias Hägerland Contributions by Justin Strong Contributions by Joel Kuhlin Contributions by Maria Sturesson Contributions by Sigurvin Larus Jonsson Contributions by Eve-Marie Becker Contributions by Helen K. Bond Contributions by Sylvie Honigman Contributions by John van Maaren Contributions by Matthew Larsen Edited by Jacob P. B. Mortensen

Book cover: Genres of Mark

Extent: 237 pages

Publisher: Vandenhoeck & Ruprecht

Subjects: Biblical Studies

Series: Studia Aarhusiana Neotestamentica (SANt)

Language: English

Hardback (Published)

(November 2022)

ISBN: 9783525560600

6.34 x 9.25 inches

Price: $175.00

In stock

What is the genre of the earliest gospel narrative and which sub-genres does Mark use to spread his message?


One of the most fundamental questions when reading and trying to understand New Testament texts is the question of genre. It is impossible to understand a text, its meaning and intention, in its proper historical setting if one does not understand its genre: As an example, interpreting a satirical text without understanding the genre would no doubt lead to grave misunderstandings. The same logic applies to texts from the New Testament, and the matter is complicated even further by the immense historical gap between the time of the genesis of the New Testament canon and now. The problem of the New Testament texts’ genre(s) is therefore a vital area of scholarly discussion within international New Testament scholarship. The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Mark’s Gospel. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Mark’s Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.

  • Contributions by Tobias Hägerland
  • Contributions by Justin Strong
  • Contributions by Joel Kuhlin
  • Contributions by Maria Sturesson
  • Contributions by Sigurvin Lárus Jónsson
  • Contributions by Eve-Marie Becker
  • Contributions by Helen K. Bond
  • Contributions by Sylvie Honigman
  • Contributions by John van Maaren
  • Contributions by Matthew Larsen
  • Edited by Jacob P. B. Mortensen