Singing Speech and Speaking Melodies
Minor Forms of Musical Theatre in the 18th and 19th Century
Edited by M. E. Cortizo Edited by M. Niccolai
This volume explores the different minor forms of musical theatre in the 18th and 19th century.
This volume addresses the complex variety of stage works with sung and spoken sections, such as “vaudeville”, “singspiel”, “opera-comique”, “zarzuela” or “operetta” in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution.
- Edited by M. E. Cortizo
- Edited by M. Niccolai
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Beethoven the European
Transcultural Contexts of Performance, Interpretation and Reception
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The Sound of Empire
Soundscapes, Aesthetics and Performance between Ancien regime and Restoration
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En pelerinage avec Liszt
Virtuosos, Repertoire and Performing Venues in 19th-Century Europe
Volume 24
Remapping the Classics
Haydn, Mozart and Beethoven in Spain during the Long Nineteenth Century
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