The Litany in Arts and Cultures
Edited by Witold Sadowski Edited by Francesco Marsciani
The articles in this book encompass a broad historical panorama and consider the presence of litanic prayers and songs in different religions, beginning with written records in the Egyptian, Sumerian and Hebrew languages and finishing with Christian works from diverse denominations. The research presents the litany as an exceptionally long-lasting genre which for several thousand years existed in the Middle-Eastern and European traditions, easily conforming to changes in religious or historical circumstances. An interdisciplinary approach by scholars representing different fields of study, including the history of the liturgy, Egyptology, Assyriology, literary studies, musicology and ethnosemiotics, allows the eclectic character of litanies to be revealed, litanies which not only were a form of church prayer but also had an impact on the organization of social rituals as well as being appropriated by all the major fields of art, that is poetry, the fine arts and music. The musicological articles in the book address the performance of Sumerian prayers, the liturgical songs of the Middle Ages, litanies in Tudor England and polyphonic works of the great composers, such as Wolfgang Amadeus Mozart.
The articles in this book encompass a broad historical panorama and consider the presence of litanic prayers and songs in different religions, beginning with written records in the Egyptian, Sumerian and Hebrew languages and finishing with Christian works from diverse denominations. The research presents the litany as an exceptionally long-lasting genre which for several thousand years existed in the Middle-Eastern and European traditions, easily conforming to changes in religious or historical circumstances. An interdisciplinary approach by scholars representing different fields of study, including the history of the liturgy, Egyptology, Assyriology, literary studies, musicology and ethnosemiotics, allows the eclectic character of litanies to be revealed, litanies which not only were a form of church prayer but also had an impact on the organization of social rituals as well as being appropriated by all the major fields of art, that is poetry, the fine arts and music. The musicological articles in the book address the performance of Sumerian prayers, the liturgical songs of the Middle Ages, litanies in Tudor England and polyphonic works of the great composers, such as Wolfgang Amadeus Mozart.
- Edited by Witold Sadowski
- Edited by Francesco Marsciani
Other Titles in this Series
The Christian Topography of Early Islamic Jerusalem
The Evidence of Willibald of Eichstatt (700-787 CE)
Volume 2
Analogical Identities
The Creation of the Christian Self: Beyond Spirituality and Mysticism in the Patristic Era
Volume 28
Removing Masculine Layers to Reveal a Holy Womanhood
The Female Transvestite Monks of Late Antique Eastern Christianity
Volume 13
‘The Letter Killeth’
Redeeming Time in Augustine's Understanding of the Authority of Scripture
Volume 51
Saints and Sinners in Early Christian Ireland
Moral Theology in the Lives of Saints Brigit and Columba
Volume 3
Through the Bone and Marrow
Re-examining Theological Encounters with Dance in Medieval Europe
Volume 45
‘The loss of a minute is just so much loss of life’
Edward Robinson and Eli Smith in the Holy Land
Volume 39
The Spirit, the World and the Trinity
Origen's and Augustine's Understanding of the Gospel of John
Volume 40
Healing not Punishment. Penitentials in the Insular Church
Historical and Pastoral Networking of the Penitentials between the Sixth and the Eighth Centuries
Volume 25
Computus and its Cultural Context in the Latin West, AD 300-1200
Proceedings of the 1st International Conference on the Science of Computus in Ireland and Europe, Galway, 14-16 July, 2006
Volume 5
The Christology of Theodore of Tarsus
The Laterculus Malalianus and the Person and Work of Christ
Volume 6
Agents in Liturgy, Charity and Communication
The Tasks of Female Deacons in the Apostolic Constitutions
Volume 37
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