The Art and Architecture of the Cistercians in Northern England, c.1300-1540
By (author) Michael Carter
A major reappraisal of the art and architecture of the Cistercians in the late Middle Ages
The Cistercian abbeys of northern England provide some of the finest monastic remains in all of Europe, and much has been written on their twelfth- and thirteenth-century architecture. The present study is the first in-depth analysis of the art and architecture of these northern houses and nunneries in the late Middle Ages, and questions many long-held opinions about the Order’s perceived decline during the period c.1300-1540. Extensive building works were conducted between the fourteenth and sixteenth centuries at well-known abbeys such as Byland, Fountains, Kirkstall, and Rievaulx, and also at lesser-known houses including Calder and Holm Cultram, and at many convents of Cistercian nuns. This study examines the motives of Cistercian patrons and the extent to which the Order continued to enjoy the benefaction of lay society. Featuring over a hundred illustrations and eight colour plates, this book demonstrates that the Cistercians remained at the forefront of late medieval artistic developments, and also shows how the Order expressed its identity in its visual and material cultures until the end of the Middle Ages.
- By (author) Michael Carter
Other Titles in this Series
The Late Medieval Cistercian Monastery of Fountains Abbey, Yorkshire
Monastic Administration, Economy, and Archival Memory
Volume 5
Vaucelles Abbey
Social, Political, and Ecclesiastical Relationships in the Borderland Region of the Cambresis, 1131-1300
Volume 2
Monastic Communities and Canonical Clergy in the Carolingian World (780-840)
Categorizing the Church
Volume 8
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