Narrativité, oralité et performance
7e colloque international du Réseau de recherche Narratologie et Bible (RRENAB), 5 au 7 juin 2014, Université de Montréal
Edited by A. Gignac
Paperback (Published)
(March 2018)
ISBN: 9789042934498
Price: $78.00
Out of stock
English summary: Ancient culture, in Israel and in the Greco-Roman world in general, was marked by orality, all the while making strong use of written culture. By disregarding this dimension, do we not prevent ourselves from fully understanding the Bible? Pursuing this thought, a new trend has emerged in North America: performance criticism, which offers thematic interpretations of biblical texts using gestures, intonations, rhythm, and corporality while relying on a solid narrative or rhetoric analysis. In this volume, French-speaking experts from the Reseau de recherche Narratologie et Bible (RRENAB) examine the issue. If we accept the hypothesis that biblical narratives were made to be told and performed, we may wonder how this changes our narrative analyses. French description: La culture antique, en Israel et dans le monde greco-romain en general, etait marquee par l’oralite tout en ayant recours fortement a la culture manuscrite. En faisant abstraction de cette dimension, ne s’empeche-t-on pas de comprendre pleinement la Bible? Poussant cette intuition, un nouveau courant est apparu en Amerique du Nord, le performance criticism, qui propose des interpretations theytrales des textes bibliques faisant appel a la gestuelle, aux intonations, au rythme et a la corporalite tout en s’appuyant sur une solide analyse, narrative ou rhetorique. Des experts francophones du Reseau de recherche Narratologie et Bible (RRENAB) se sont interroges. Si on accepte l’hypothese que les recits bibliques etaient faits pour etre racontes et performes, on peut se demander ce que cela change a nos analyses narratives. Avec des textes de Normand Bonneau, Yvan Bourquin, Jacques Descreux, Eleni Di Pede, Alain Gignac, Jean-Daniel Macchi, Yvan Mathieu, Ai Nguyen Chi, Sylvie Patron, David M. Rhoads, Jean-Claude Verrecchia, Rachel de Villeneuve et Andre Wenin.
- Edited by A. Gignac
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