Censorship of British Drama 1900-1968 Volume 4
The Sixties
By (author) Steve Nicholson
Paperback (Published)
(September 2020)
ISBN: 9781905816439
6.14 x 9.21 inches
Price: $33.00
In stock
Hardback (Published)
(July 2015)
ISBN: 9780859898461
6.1 x 9.17 inches
Price: $112.00
In stock
Winner of the Society for Theatre Research Book Prize – 2016 New paperback, with contextualising timeline and biographies, published in association with the Society for Theatre Research This volume covers the 1960s, a significant decade in social and political spheres in Britain, especially in the theatre.
Winner of the Society for Theatre Research Book Prize – 2016 This is the final volume in a new paperback edition of Steve Nicholson’s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain’s Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.
Acknowledgements Timeline: The Political and Cultural Calender Introduction: Galahad and Mordred 1. The Inflamed Appendix (1960-1961) 2. No Laughing Matter (1961-1962) 3. Pleasuring the Lord Chamberlain (1963) 4. Some S. I will not Eat (1964) 5. Blows for Freedom (1965) 6. Going Wild (1965-1966) 7. Getting Tough (1966) 8. An Affront to Constitutional Principles (1967) 9. Let the Sunshine In (1968) 10. Afterwords (1968-1971) Notes Select Bibliography Index,
Acknowledgements
Timeline: The Political and Cultural Calender
Introduction: Galahad and Mordred
1. The Inflamed Appendix (1960-1961)
2. No Laughing Matter (1961-1962)
3. Pleasuring the Lord Chamberlain (1963)
4. Some S. I will not Eat (1964)
5. Blows for Freedom (1965)
6. Going Wild (1965-1966)
7. Getting Tough (1966)
8. An Affront to Constitutional Principles (1967)
9. Let the Sunshine In (1968)
10. Afterwords (1968-1971)
Notes
Select Bibliography
Index
- By (author) Steve Nicholson
"Nicholson's skillful deployment of meticulous archival research is combined with an effective sense of the overall picture of theatre and performance in the 1960s and concludes with a persuasive caution against complacency about the situation after the end of pre-censorship." Russell Jackson, Theatre Notebook "... .we will lament the abolition of censorship insofar as it has robbed us of another volume." Anne Etienne, University College Cork, Studies in Theatre and Performance "It's a brilliant manuscript, forensic and fascinating, rich with detail and countless examples of the hilarious and bewildering attitudes of the later censorship, but with also Nicholson's characteristic fair-mindedness which treats the Lord Chamberlain and his comptrollers with respect for the difficult job they had to do and the nuanced way in which they did it. It's a great conclusion to a vital series." Dan Rebellato, Royal Holloway University of London
—
Nicholson’s skillful deployment of meticulous archival research is combined with an effective sense of the overall picture of theatre and performance in the 1960s and concludes with a persuasive caution against complacency about the situation after the end of pre-censorship.
— Russell Jackson
. . . .we will lament the abolition of censorship insofar as it has robbed us of another volume.
— Anne Etienne, University College Cork
'It’s a brilliant manuscript, forensic and fascinating, rich with detail and countless examples of the hilarious and bewildering attitudes of the later censorship, but with also Nicholson’s characteristic fair-mindedness which treats the Lord Chamberlain and his comptrollers with respect for the difficult job they had to do and the nuanced way in which they did it. It’s a great conclusion to a vital series.'
— Dan Rebellato, Royal Holloway University of London
Other Titles in this Series
Singing Simpkin and other Bawdy Jigs
Musical Comedy on the Shakespearean Stage: Scripts, Music and Context
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