Bill Douglas
A Film Artist
Edited by Phil Wickham Edited by Amelia Watts
Hardback (Published)
(September 2022)
ISBN: 9781804130247
6.14 x 9.21 inches
Price: $97.00
In stock
This book uses new source material to reappraise the work of Bill Douglas – one of Britain’s most significant and singular filmmakers.Douglas’s poetic and moving films continue to inspire filmmakers today but his struggles within the film industry raise questions as to whether it is possible to be an artist working within a commercial medium.
This book examines the work and art of Bill Douglas, thirty years after his death. Douglas made only a small body of work during his lifetime: The Bill Douglas Trilogy, based on his deprived childhood in Scotland; and Comrades, his epic on the Tolpuddle Martyrs; but he is acknowledged by many as one of Britain’s greatest filmmakers. His films inspire a depth of passion in those that have seen them, and interest in his work has intensified over the years, both within the UK and overseas. This is the first work to examine Douglas’s life and career through archive material recently made available to researchers. Editors Amelia Watts and Phil Wickham have carefully selected a range of voices – both scholars and practitioners – to reappraise Douglas’s career from a variety of angles. The book raises important questions about Douglas’s status as an artist, and reflects on his struggles within the film industry of the 1970s and 1980s in order to consider the attendant difficulties of working within a collaborative and commercial medium such as cinema. The volume also explores the wider legacy of this film artist, through the collection on moving image history he assembled with Peter Jewell, which became the foundation of the Bill Douglas Cinema Museum. It will appeal to film students and scholars, and the small but committed group of general readers who are interested in Douglas’s work. The book has a foreword by the renowned filmmaker and critic Mark Cousins, who, like many other contemporary directors, is a great enthusiast for Douglas’s work.
List of Illustrations Notes on Contributors Acknowledgements Foreword by Mark Cousins Introduction by Phil Wickham and Amelia Watts PART I BILL DOUGLAS IN CONTEXT Bill Douglas and the British Film Industry during the 1970s and 1980s AMELIA WATTS The Bill Douglas and Peter Jewell Collection PHIL WICKHAM Bill Douglas's Favourite film-Il Mare AN INTERVIEW WITH PETER JEWELL BY ANDY KIMPTON-NYE The Unseen Films of Bill Douglas ANDY KIMPTON-NYE Bill Douglas's Working Papers AMELIA WATTS PART II BILL DOUGLAS'S FILMS His Ain Folk? ANDREW GORDON Exploring Questions of Theory and Practice within the Bill Douglas Trilogy JAMIE CHAMBERS True Comrades: Bill Douglas and Bertolt Brecht CARA FRASER Returning to Comrades DAVID ARCHIBALD PART III BILL DOUGLAS'S LEGACY Bill Douglas's Critical Reputation and Legacy DUNCAN PETRIE Select Bibliography Filmography Index,
List of Illustrations
Notes on Contributors
Acknowledgements
Foreword by Mark Cousins
Introduction PHIL WICKHAM AND AMELIA WATTS
DOI: 10.47788/BNMQ1583
PART I: BILL DOUGLAS IN CONTEXT
1. Bill Douglas and the British Film Industry during the 1970s and 1980s AMELIA WATTS
DOI: 10.47788/ORAD1934
2. The Bill Douglas and Peter Jewell Collection PHIL WICKHAM
DOI: 10.47788/LCOD8685
3. Bill Douglas’s Favourite film—Il Mare AN INTERVIEW WITH PETER JEWELL BY ANDY KIMPTON-NYE
DOI: 10.47788/JVKN9671
4. The Unseen Films of Bill Douglas ANDY KIMPTON-NYE
DOI: 10.47788/NIQE6697
5. Bill Douglas’s Working Papers AMELIA WATTS
DOI: 10.47788/PEJM9176
PART II: BILL DOUGLAS’S FILMS
6. His Ain Folk? ANDREW GORDON
DOI: 10.47788/QIRI6018
7. Exploring Questions of Theory and Practice within the Bill Douglas Trilogy JAMIE CHAMBERS
DOI: 10.47788/OWCS3651
8. True Comrades: Bill Douglas and Bertolt Brecht CARA FRASER
DOI: 10.47788/MNMN3566
9. Returning to Comrades DAVID ARCHIBALD
DOI: 10.47788/UUIE5434
PART III: BILL DOUGLAS’S LEGACY
10. Bill Douglas’s Critical Reputation and Legacy DUNCAN PETRIE
DOI: 10.47788/EBRX4961
Notes
Select Bibliography
Filmography
Index
- Edited by Phil Wickham
- Edited by Amelia Watts
"The ten essays do a wonderful job of introducing Douglas to a new generation, while expanding our understanding of this multifaceted artist...Douglas emerges as a rounded figure, often full of joy and enthusiasm, constantly active and enjoying collaboration. It's a welcome reappraisal." Rastko Novakovic, Sight and Sound "I thought I know Bill Douglas' movies inside out, but this new book about Scotland's greatest filmmaker told me many new things." Mark Cousins "This book provides a level of sustained critical analysis of Douglas' work that is much needed, while the engagement with his archive opens up the material in new, original ways. A refreshing reconsideration of Douglas, and an innovative contribution to the study of film in general." Sarah Neely, University of Glasgow "This book is a wonderful testament to the persistence and pursuit of a truly unique vision." Sarah Street, University of Bristol
—
The ten essays do a wonderful job of introducing Douglas to a new generation, while expanding our understanding of this multifaceted artist...Douglas emerges as a rounded figure, often full of joy and enthusiasm, constantly active and enjoying collaboration. It's a welcome reappraisal.
— Rastko Novakovic, Sight and Sound
Other Titles in this Series
Similar Books
Jüdische Musikerziehung im Preußen des 19. Jahrhunderts
Gesangunterricht an jüdischen Reformschulen als Facette bürgerlicher Akkulturation
Volume 21
Künstlervertragsmodelle in der Musikwirtschaft
Rechtliche Grenzen der künstlerbezogenen Nebenrechteverwertung im Erlös-, Vermittlungs-, Options- und Leistungsmodell
Luigi Dallapiccola between Politics, Text and Musical Thought
With an Appendix of New Sources
Volume 11
Of Signs and Sounds
Musical Interpretation and Performance from the 19th to the 21st Century
Volume 58
