A Paul Rotha Reader
Edited by Duncan Petrie Edited by Robert Kruger
Hardback (Published)
(December 1999)
ISBN: 9780859896269
6.14 x 9.21 inches
Price: $112.00
Out of stock
Paul Rotha was one of the major figures of the British Documentary Movement, second only to John Grierson. He was also a prolific writer. This volume brings together an edited collection of some of his most important writings and addresses a variety of topics.
Paul Rotha was one of the major figures of the British Documentary Movement, second only to John Grierson. He was also a prolific writer, beginning with his celebrated book The Film Till Now, published in 1930. This volume brings together an edited collection of some of his most important writings and addresses a variety of topics including the theoretical basis of cinema, the emergence of an intellectual film culture in Britain, the state of the British film industry and his own experience of directing and producing films. A Paul Rotha Reader marks a major reappraisal of Rotha’s significance as a theorist, critic and advocate for cinema as the most important form of mass communication in the modern world. It will be essential reading for anyone seriously interested in British cinema history.
- Edited by Duncan Petrie
- Edited by Robert Kruger
"Rotha's writing itself seems incredibly fresh and vibrant. A no-nonsense, clearly written personal view of filmmaking, the book is a pleasure to read and triggers off many a train of thought about the nature of documentary filmmaking...As a starting-point for discussion about the thinking behind documentary and the effect it can have on the viewer, it is a highly stimulating collection...The introductory chapters pull into focus Rotha's aims and intentions which remind the reader what documentary has the potential to do. To make us think." (Journal of Popular British Cinema, Vol. 4, 2001)
—
"Rotha's writing itself seems incredibly fresh and vibrant. A no-nonsense, clearly written personal view of filmmaking, the book is a pleasure to read and triggers off many a train of thought about the nature of documentary filmmaking . . . As a starting-point for discussion about the thinking behind documentary and the effect it can have on the viewer, it is a highly stimulating collection . . . The introductory chapters pull into focus Rotha's aims and intentions which remind the reader what documentary has the potential to do. To make us think." (Journal of Popular British Cinema, Vol. 4, 2001)
—
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