Tree Rings, Art, Archaeology
Proceedings of a conference
Edited by Pascale Fraiture
Hardback (Published)
(November 2011)
ISBN: 9782930054131
Price: $50.00
On back order
In 2010 IRPA-KIK organized the Tree Rings, Art, Archaeology conference. The various articles gathered in the proceedings reflect the practices of fifteen European countries. The first objective of the conference was to review the notable advances over the last ten years. The second aim, focused more on the future, was to bring together dendrochronologists and other players in the field – historians, archaeologists and art historians – to discuss the ‘Good use of dendrochronology’. The articles successively explore the different facets of the dendrochronological prism. Indeed, dendrochronology is a discipline at the crossroads of human, exact and natural sciences. This explains the disparity in the training of dendrochronologists. Botanists, statisticians and archaeologists each provide their version of dendrochronology, while respecting the fundamental principles of the method. From this follows a multiplicity of applications under a single label. Dating is not considered as an end in itself, but as a single indication – among others, whether archaeological, historical or artistic -, which the dendrochronologist complements with other information obtained from his measurements, e.g. the origin of the wood, growth type, environment, etc. However, the dendrochronologist alone cannot explain the entirety of a research question. The need to compare different approaches is self-imposed and serves to enrich or even to question an approach that remains necessarily empirical, and whose conclusions are irremediably tentative.
- Edited by Pascale Fraiture
Other Titles in this Series
Imitation and Illusion
Applied Brocade in the Art of the Low Countries in the Fifteenth and Sixteenth Centuries
Volume 6
The Brueg(H)el Phenomenon
Paintings by Pieter Bruegel the Elder and Pieter Brueghel the Younger with a Special Focus on Technique and Copying Practice
Volume 8
Un tresor devoile
Le Retable de l'Adoration des Mages du XVe siecle conserve a la Basilique San Nazaro Maggiore a Milan. Un chef-d'oeuvre bruxellois de Jan Borman
Volume 21
Flesh, Gold and Wood
The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015
Volume 18
A Man of Vision. Paul Coremans and the Preservation of Cultural Heritage
Proceedings of the International Symposium Paul Coremans Held in Brussels, 15-17 June 2015
Volume 15
Made in Malines. Les statuettes malinoises ou poupees de Malines de 1500-1540
Etude materielle et typologique
Volume 16
Between Carpentry and Joinery
Wood Finishing Work in Europe and Medieval and Modern Architecture
Volume 12
Frans Pourbus l’Ancien a Tournai
Les panneaux peints pour l'abbatiale Saint-Martin. Histoire, iconographie, style, technique, restauration
Volume 14
A l’Escu de France
Guillebert de Mets et la peinture de livres a Gand a l'epoque de Jan van Eyck (1410-1450)
Volume 13
A Masterly Hand. Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective
Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels on 20-21 October 2011
Volume 9
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