Sephardic Book Art of the Fifteenth Century
Edited by Luis U Afonso Edited by Tiago Moita
The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudejar, Late Gothic and Renaissance) in the shapping of 15th century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia.
- Edited by Luis U Afonso
- Edited by Tiago Moita
Other Titles in this Series
Bringing the Holy Land Home
The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece
Volume 3
The Pilgrim’s Guide to Santiago de Compostela
A Critical Edition: Volume I, The Manuscripts and Volume II, The Text
Volume 14
Late Gothic Sculpture in Northern Italy
Andrea da Giona and I Maestri Caronesi: An Addition to the Pantheon of Venetian Sculptors
The Architectural Drawings of Antonio da Sangallo the Younger and His Circle
Vol. III: Antiquity and Theory
The Making and Meaning of the Liber Floridus
A Study of the Original Manuscript, Ghent, University Library, MS 92
Volume 76
The Epiphany of Hieronymus Bosch
Imagining Antichrist and Others from the Middle Ages to the Reformation
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