Jews Among Christians
Hebrew Book Illumination From Lake Constance
By (author) Sarit Shalev-Eyni
Jews among Christians explores a corpus of illuminated Hebrew manuscripts of the Lake Constance region produced in the first decades of the fourteenth century. The author Sarit Shalev-Eyni, Professor at the Hebrew University of Jerusalem, provides a detailed and insightful study of the content, design, and iconography of the illustrations and decorations of a group of Ashkenahzi codices, thereby uncovering a surprising interface between Jews and Christians in the urban workshops of the time. Here, Christian artists would include midrashic components required by their Jewish instructor while drawing on the iconographic traditions of their Christian education, and artists of both religions were able to represent their own theological attitudes as well as profane tendencies and parody – in short, the various aspects of late medieval culture.A close comparison with the well-known Gradual of St. Katharinenthal, now in Zurich, and manuscripts such as the Schocken Bible, formerly in Jerusalem, and the Tripartite Mahzor — originally bound as two volumes, but now split between Budapest, London and Oxford — places the corpus firmly in the Lake Constance region and all but confirms the instructor to be one Hayyim, the scribe. The author’s discussion of Hayyim’s life and work and her historical overview of the relations between Jews and Christians in the final chapters of the book deepens our understanding of the religious and cultural dialogue between the two faiths not only in the production of this group of manuscripts but in the course of every-day life in the Middle Ages.
- By (author) Sarit Shalev-Eyni
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Late Gothic Sculpture in Northern Italy
Andrea da Giona and I Maestri Caronesi: An Addition to the Pantheon of Venetian Sculptors
The Architectural Drawings of Antonio da Sangallo the Younger and His Circle
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The Making and Meaning of the Liber Floridus
A Study of the Original Manuscript, Ghent, University Library, MS 92
Volume 76
The Epiphany of Hieronymus Bosch
Imagining Antichrist and Others from the Middle Ages to the Reformation
Early Engravers and their Public
The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500
Volume 39
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