Saintly Brides and Bridegrooms
The Mystic Marriage in Northern Renaissance Art
By (author) Carolyn D Muir
Hardback (Published)
(January 2013)
ISBN: 9781905375875
8.62 x 10.98 inches
Price: $150.00
In stock
Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. Joh
Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. John the Evangelist, St. Bernard of Clairvaux, and the Blessed Henry Suso is studied through an analysis of a wide range of paintings, illuminated manuscripts, prints, and sculpture. From these case studies, Muir argues that different visual conventions were used in the art of this period to portray the male and female experiences of mystic marriage and suggests possible reasons for these differences. She further considers why comparatively few mystics were visually portrayed in a mystic marriage with Christ, despite the large number recorded as having had that experience. Providing insights into the meanings of the mystical experience when portrayed in visual terms, this book will appeal to art historians as well as to other medievalists with an interest in the intersections of art, religion, and gender.
- By (author) Carolyn D Muir
Other Titles in this Series
The Making and Meaning of the Liber Floridus
A Study of the Original Manuscript, Ghent, University Library, MS 92
Volume 76
Pleasure and Politics at the Court of France
The Artistic Patronage of Queen Marie of Brabant (1260-1321)
Volume 64
The Epiphany of Hieronymus Bosch
Imagining Antichrist and Others from the Middle Ages to the Reformation
Early Engravers and their Public
The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500
Volume 39
Similar Books
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
Students, Scholars and Their Books at the University of Louvain (1425-1797)
Studium Lovaniense: Learning across Borders, 1
Volume 17
Technical Studies of Asian Art
Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art
Tradition, Interpretation, and Change
Developments in the Liturgy of Medieval and Early Modern Ashkenaz
Networking through Biography
Constructing Intellectual Junctions in Antiquity, the Renaissance and the Arabo-Islamic World
Volume 19
