Music Patronage in Italy
Edited by Galliano Ciliberti
This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century
During the Renaissance and throughout the Baroque and Classical periods, musical production was linked to patronage. There are essentially two types of patronage. The first relates to political institutions, to public life, and aims to promote musical events that highlight the wealth and power of the patron in the eyes of rival courts and subjects – hence the birth of the court chapels. The second type belongs to the private sphere, in which the patron, of noble birth and as such in possession of high moral and intellectual virtues, has a discriminating artistic sensibility – hence the promotion of chamber music activities, the collecting of rare and valuable musical instruments, and the compilation and collection of musical manuscripts, possibly in deluxe or personalized copies. This musical production system lasted until the middle of the nineteenth century, when the advent of capitalism and the rise of the bourgeois class caused the decline of patronage. This book focuses on the various aspects of music patronage in Italy from the fifteenth to the eighteenth century.
- Edited by Galliano Ciliberti
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Padre Martini’s Closed and Enigmatic Canons with Solutions by Luigi Cherubini
A 19th-Century Guide into Renaissance Music Riddles
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Geographies of Sound
Sounding and Listening to the Urban Space of Early Modern Italy with a Contemporary Perspective
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