Italian Film Music, 1950s-1970s
Between Tradition, Innovation, and Internationalisation
Edited by Franco Sciannameo
This book provide a tribute to Italian Film Music of 1950s-1970s
The music heard in Italian cinema along the arch of the three decades highlighted in this book, has not only made history but has become an unspoken of patrimony of humanity. This book provides a platform to build a lasting tribute to those composers who were, indeed, the “sounding” protagonists of hundreds of films – from Fellini’s “La dolce vita” to Tornatore’s “Cinema Paradiso” to a myriad of cultural documentaries and productions made for cinema and television. The book is divided into three parts comprising essays on the music of Nino Rota, lesser-known composers yet important on the national circuit like Carpi, Gervasio, Vlad, and Chailly, and four essays dedicated to the towering figure of Ennio Morricone whose legacy will continue to hover over Italian cinema of the 50s-70s for many decades to come. An introductory essay, 17 chapters annotated and provided with musical examples, tables, and iconographic material written by internationally known academics specialised in Italian film music; bibliographies and abstracts following each essay; biographies of the contributing authors; and an index organized by names and subjects, make this volume an indispensable research tool free of geopolitical barriers and ideological constrains in the bourgeoning field of Film Music.
- Edited by Franco Sciannameo
Other Titles in this Series
Padre Martini’s Closed and Enigmatic Canons with Solutions by Luigi Cherubini
A 19th-Century Guide into Renaissance Music Riddles
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