Inner Affinity
Ovid, Titian, Philip of Spain
By (author) J.-F. Corpataux
The title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the dynastic fecundity that results from the effects of works of art on the imagination, the soul and the body.
The title of this little book is inspired by Erwin Panofsky’s remarks on the “inner affinity” between Ovid and Titian. But this inner affinity between the Latin poet and the Venetian painter also extends to Philip of Spain, for whom Titian painted the famous cycle of canvases that he referred to in his letters as the “Poesie”. To explore this kinship of spirit among the poet, the painter, and the king, this study examines the dynastic fecundity that results from the effects of works of art on the imagination, the soul and the body.
- By (author) J.-F. Corpataux
Other Titles in this Series
Rocks and Tears
Niobe's Fate and the Dynamics of Form. Lecture on the Occasion of the Aby-Warburg-Stiftungsprofessur 2023
Volume 25
Nymph. Motif, Phantom, Affect. Part II
Aby Warburg's (1866-1929) Butterflies as Art Historical Paradigms
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In Response to Echo
Beyond Mimesis or Dissolution as Scopic Regime (with Special Attention to Camouflage)
Volume 6
Signed ‘PAN’
Erwin Panofsky's (1892-1968) "The History of Art as a Humanistic Discipline" (Princeton, 1938)
Volume 18
Late Medieval Enclosed Gardens of the Low Countries
Contributions to Gender and Artistic Expression
Volume 2
The Right Moment
Essays Offered to Barbara Baert, Laureate of the 2016 Francqui Prize in Human Sciences, on the Occasion of the Celebratory Symposium at the Francqui Foundation, Brussels, 18-19 October 2018
Volume 20
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