Il Pittore Felton e la sua officina
Ceramografia singolare a Taranto nell'eta di Archita
by Luigi Todisco and Francesca Rosa Pesce
The Felton Painter is an anonymous Apulian ceramographer, isolated in 1964 by A. D. Trendall, who ran a workshop in the first half of the 4th century BC., almost certainly in Taranto. The production of this workshop was aimed at the funerary ritual and takes advantage of a substantial number of documented provenances. From an iconographic point of view, it is varied in the representation of traditional figurative themes, such as myth, epic, theatre, dionysian and erotic ritual. In many of these subjects it is possible to identify distinctive elements, such as how the parody of certain mythical episodes was expressed. But the main interest of this craftsman and his workshop seems to consist above all in having drawn the scatological and grotesque iconography relevant to real-life contexts from the repertoire of attic vases and in having developed it in a singular way within the context of southern Italian ceramography.
- By (author) Francesca Rosa Pesce
- By (author) Luigi Todisco
Other Titles in this Series
Ornamenti e lusso nell’antica Peucezia
Le aristocrazie tra VII e III secolo a.C. e i rapporti con Greci ed Etruschi
Volume 201
Archeologia in Etruria Meridionale
Atti delle giornate di studio in ricordo di Mario Moretti, Civita Castellana 14-15 novembre 2003
Volume 147
I rilievi neoattici della Campania
Produzione e circolazione degli ornamenta marmorei a soggetto mitologico
Volume 219
La Tomba di San Luca Evangelista
La cassa di piombo e l'area funeraria della basilica di Santa Giustina in Padova
Volume 123
Palermo San Martino delle Scale La collezione archeologica
Storia della collezione e catalogo della ceramica
Volume 148
Sentinum 295 a.C Sassoferrato 2006 2300 anni dopo la battaglia. Sentinum 3
Una citta romana tra storia e archeologia
Volume 163
Similar Books
Caesar’s Visions and Impact on the Roman Empire
Revisiting the Archaeological and Historical Record of the 40s BC
Volume 2
Construction Processes in Historical Western Societies (5th c. BC – 10th c. AD)
Case Studies on Techniques, Models, and Costs
Etruscan and Roman Hellenistic Anatomical ex votos
Reassessing Popular Religious Expressions in Central Italy
Volume 8
Invisible Labour in Antiquity
Visualizing Obscure Work in the Ancient Mediterannean and West Asia
Volume 1
Late Antique villae in the Balkans (3rd–7th c. AD): Current Research Questions and Perspectives
HAEMUS Companion to the Late Antique Balkans 1
Volume 4
Portraying the Individual in the Roman East
Local–Imperial Entanglements in Sculpture, Mosaics, and Paintings (First–Fourth Centuries AD)
Volume 18
Roman Copies, Collecting, and Culture in the Bay of Naples and Beyond
Papers in Honor of Eugene J. Dwyer
Small Worlds and Relational Agencies: Local Societies in Early Medieval Iberia
Pequeños mundos y Agencias relacionales: Sociedades locales altomedievales en la Península Ibérica
SOMA 2023: Proceedings of the 24th Symposium on Mediterranean Archaeology
Ideas that Travelled by the Sea, Udine, 2-4 February, 2023
The Iron Age Pottery from Tell Atchana / Ancient Alalakh
A Typological and Functional Analysis
Volume 8
Writing in the Church of the Nativity in Bethlehem
Inscription and Graffiti in a Multilingual and Multigraphic Perspective
Volume 45
Zooarchaeology of Ancient Greek Sanctuaries in Southwestern Sicily
Faunal Analysis from Selinus and Akragas as Evidence of Differences in the Treatment of Animals for Ritual Purposes
Alabaster
An Interdisciplinary Study of the Sources and Uses of Calcite Alabaster in Antiquity
Volume 5
Echoes from the Past: Traditional Cypriot Pottery
An Exhibition at the Cyprus American Archaeological Research Institute in October 1995
