Iconoclasm vs. Art and Drama
Edited by Clifford Davidson Edited by Ann Eljenholm Nichols
Paperback (Out of print)
(December 1989)
ISBN: 9780918720986
Price: $34.95
On back order
Hardback (Published)
(July 1989)
ISBN: 9780918720979
6.14 x 9.21 inches
Price: $19.95
In stock
The radical Protestantism that led to the suppression of religious drama in England also by the early years of Queen Elizabeth I destroyed perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation as well as new historical information concerning this phase of iconoclasm.
The Libri Carolini: Antecedents of Reformation Iconoclasm by Anthony Ugolnik The Anti-Visual Prejudice by Clifford Davidson Iconoclasm in England: Official and Clandestine by Margaret Aston The Devil's Guts: Allegations of Superstition and Fraud in Religious Drama and Art during the Reformation by Clifford Davidson No Sepulchre on Good Friday: The Impact of the Reformation on the Easter Rites in England by Pamela Sheingorn Broken Up or Restored Away: Iconoclasm in a Suffolk Parish by Ann Eljenholm Nichols, List of Illustrations
Preface
The Libri Carolini: Antecedents of Reformation Iconoclasm by Anthony Ugolnik
The Anti-Visual Prejudice by Clifford Davidson
Iconoclasm in England: Official and Clandestine by Margaret Aston
"The Devil's Guts”: Allegations of Superstition and Fraud in Religious Drama and Art during the Reformation by Clifford Davidson
"No Sepulchre on Good Friday”: The Impact of the Reformation on the Easter Rites in England by Pamela Sheingorn
Broken Up or Restored Away: Iconoclasm in a Suffolk Parish by Ann Eljenholm Nichols
- Edited by Clifford Davidson
- Edited by Ann Eljenholm Nichols
Other Titles in this Series
Crossing the Boundaries
Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
Word, Picture, and Spectacle
Papers by Karl P. Wentersdorf, Roger Ellis, Clifford Davidson, and R. W. Hanning
The Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages
Shakespeare’s Play within Play
Medieval Imagery and Scenic Form in "Hamlet," "Othello," and "King Lear"
Drama and Art
An Introduction to the Use of Evidence from the Visual Arts for the Study of Early Drama
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