The Play of Daniel
Critical Essays
Edited by Dunbar H. Ogden Other primary creator A. Marcel J. Zijlstra
Paperback (Published)
(July 1996)
ISBN: 9781879288775
6.14 x 9.21 inches
Price: $24.95
In stock
The Play of Daniel from Beauvais was the first medieval music-drama to be staged in a popular modern production by the legendary Noah Greenberg’s New York Pro Musica. This book provides for the first time a critical introduction to the staging and production, music, and setting of the play in its architectural and historical context. It also reproduces the pages in the manuscript which contain the play in facsimile, and it provides a new and faithful transcription of the music as well as a fresh translation of the text by A. Marcel J. Zijlstra of the Schola Cantorum “Quem Quaeritis” of the Netherlands, a group which performs regularly at the Utrecht Festival.
The Play of Daniel from Beauvais was the first medieval music-drama to be staged in a popular modern production by the legendary Noah Greenberg’s New York Pro Musica. This book provides for the first time a critical introduction to the staging and production, music, and setting of the play in its architectural and historical context. It also reproduces the pages in the manuscript which contain the play in facsimile, and it provides a new and faithful transcription of the music as well as a fresh translation of the text by A. Marcel J. Zijlstra of the Schola Cantorum “Quem Quaeritis” of the Netherlands, a group which performs regularly at the Utrecht Festival.
Introduction by Dunbar H. Ogden
The Staging of The Play of Daniel in the Twelfth Century by Dunbar H. Ogden
Divine Judgment and Local Ideology in the Beauvais Ludus Danielis by Richard K. Emmerson
The Play of Daniel in Modern Performance by Fletcher Collins Jr.
Music in the Beauvais Ludus Danielis by Audrey Ekdahl Davidson
The Play of Daniel (Ludus Danielis) Transcribed by A. Marcel J. Zijlstra
Translation
Index
- Edited by Dunbar H. Ogden
- Other primary creator A. Marcel J. Zijlstra
Other Titles in this Series
Word, Picture, and Spectacle
Papers by Karl P. Wentersdorf, Roger Ellis, Clifford Davidson, and R. W. Hanning
Crossing the Boundaries
Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
The Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages
Shakespeare’s Play within Play
Medieval Imagery and Scenic Form in "Hamlet," "Othello," and "King Lear"
Drama and Art
An Introduction to the Use of Evidence from the Visual Arts for the Study of Early Drama
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