Word, Picture, and Spectacle
Papers by Karl P. Wentersdorf, Roger Ellis, Clifford Davidson, and R. W. Hanning
Edited by Clifford Davidson
Hardback (Out of print)
(July 1984)
ISBN: 9780918720511
6.14 x 9.21 inches
Price: $19.95
In stock
Essays addressing issues in the study of medieval art, literature, and drama. The topics covered include scatological illustration in Gothic manuscripts, connections between word and picture in religious art, perceived relationship between divine and human creativity and an exploration in the phenomenology of space and time in medieval theater.
Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.
Preface The Symbolic Significance of Figurae Scatologicae in Gothic Manuscripts by Karl P. Wentersdorf The Word in Religious Art of the Middle Ages and the Renaissance by Roger Ellis Space and Time in Medieval Drama: Meditations on Orientation in the Early Theater by Clifford Davidson Ut enim faber...sic creator: Divine Creation as Context for Human Creativity in the Twelfth Century by R. W. Hanning, Preface
The Symbolic Significance of Figurae Scatologicae in Gothic Manuscripts by Karl P. Wentersdorf
The Word in Religious Art of the Middle Ages and the Renaissance by Roger Ellis
Space and Time in Medieval Drama: Meditations on Orientation in the Early Theater by Clifford Davidson
“Ut enim faber...sic creator”: Divine Creation as Context for Human Creativity in the Twelfth Century by R. W. Hanning
- Edited by Clifford Davidson
Other Titles in this Series
Shakespeare’s Play within Play
Medieval Imagery and Scenic Form in "Hamlet," "Othello," and "King Lear"
Drama and Art
An Introduction to the Use of Evidence from the Visual Arts for the Study of Early Drama
Crossing the Boundaries
Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
Similar Books
«Solazoxa festa, stradolze e stracomplia»
Festschrift für Raymund Wilhelm zum 65. Geburtstag mit Beiträgen zu Diskurstraditionen und mittelalterlicher Philologie
Volume 249
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Cahiers de recherches médiévales et humanistes – Journal of Medieval and Humanistic Studies
Volume 51
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
