Guerre des arts (La)
Le Paragone peinture-sculpture en Italie, XV - XVII siecle
by Sefy Hendler
The rivalry between painting and sculpture, known as the Paragone, is a well-known topos of Renaissance art. This study explores the visual aspects of the rivalry, analyzing works from the fifteenth and sixteenth century that clearly reference it. The second half of the study explains that the Paragone transformed from a competitive to constructive comparison over the course of the seventeenth century. French text.
English summary: The rivalry between painting and sculpture, known as the Paragone, is a well-known topos of Renaissance art. This study explores the visual aspects of the rivalry, analyzing works from the fifteenth and sixteenth century that clearly reference it. The second half of the study explains that the Paragone transformed from a competitive to constructive comparison over the course of the seventeenth century. French description: La comparaison competitive entre peinture et sculpture, definie aujourd’ hui comme le Paragone, est un topos bien connu de la theorie de l’ art de la Renaissance. La presente publication est destinee a explorer une autre face de ce debat, son aspect visuel. Le but est d’ identifier, d’ organiser et d’ analyser les peintures et les sculptures produites en Italie des la fin du XVe siecle et tout au long du XVIe siecle qui abordent clairement des problemes lies au debat paragonien. La deuxieme partie de l’ouvrage s’ efforce de dechiffrer pourquoi le Paragone visuel semble moins apparent dans l’ art du XVIIe siecle. L’ hypothese exploree se fonde sur la supposition que la comparaison competitive se transforme en une comparaison constructive entre les arts jadis rivaux.
Remerciements
Preface
Introduction: La bonne et la mauvaise fortune du Paragone
Premiere partie: le pinceau et la plume, le Paragone entre theorie et pratique: A. L'ekphrasis de Saint Georges ou la genese du debat
B. Leonard de Vinci, la nomenklatura du Paragone
C. Varchi et le premier sondage de l' histoire de l' art
Deuxieme partie: corpus paragonicum, les origines: A. Pour une methodologie paragonienne
B. Le Paragone et le miroir
C. Le Paragone a trois'
Troisieme partie: corpus paragonicum, la question du point de vue: A. Le Paragone recto-verso
B. Les reponses sculptees
Quatrieme partie: corpus paragonicum, l' universalite de la peinture: A. L' homme peint et l' objet sculpte
B. Les irrepresentables
C. Plus que parfait
Cinquieme partie: le declin du Paragone: A. A quoi ressemble un declin?
B. Galilee et le declin du Paragone
C. Carrache, l' autoportrait dans l' autoportrait
D. La nouvelle vie du triple portrait
E. Les Sacri Monti et le Paragone
F. La comparaison constructive, le ca exemplaire de Saint Gregoire le Grand
Conclusion: Le Bernin, l' unite des arts visuels et le declin du Paragone
Bibliographie
Liste des images
Index du corpus paragonicum.
- By (author) Sefy Hendler
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