A Second Mona Lisa?
Challenges of attribution and authentication and various possibilities for evaluating a work of art
by Salvatore Lorusso, Andrea Natali, Jean-Pierre Isbouts, John Asmus and Vadim Parfenov and edited by Salvatore Lorusso and Andrea Natali
Hardback (Published)
(February 2021)
ISBN: 9788891321541
8.46 x 11.18 inches
Price: $165.00
On back order
The topic of attribution and authentication of art works is a well-known one and is currently the subject of heated debate. To arrive at a univocal scientific truth, however, it is necessary to integrate historical-humanistic and technical-experimental skills with a subjective and objective evaluation. The first part of the volume deals with experimentation relating to three valuable artifacts of different material composition: a painting, a sculpture, a codex. The second part of the research regards the emblematic case of the Mona Lisa and its uniqueness. The question connected to this study is: “Is there a second Mona Lisa?” Is the Isleworth Mona Lisa, also known as the Earlier Mona Lisa, a second version of the Louvre Mona Lisa painted by the Renaissance genius Leonardo da Vinci? In order to provide an answer regarding attribution, a methodological path was applied to the painting on canvas “Mona Lisa with columns” (St. Petersburg), establishing that it was a copy, albeit a well-executed one. Numerous versions and copies of the Mona Lisa were also studied, basing their examination on the in-depth archival-bibliographic research of the many paintings on the same subject. The findings highlighted the distinction between two authentic versions by Leonardo, i.e. the Louvre Mona Lisa and the Isleworth Mona Lisa and two copies, i.e. the Prado and the Reynolds Mona Lisas. The latter two, considered to be the most complete and qualitatively better that many others are, in fact, either copies of previous Mona Lisas or of the two authentic versions. The final considerations are dedicated to the chronological sequence of historical sources, stylistic and aesthetic analyses, artistic techniques and experimental investigations to prove the authentication of the Isleworth Mona Lisa by Leonardo.
- By (author) John Asmus
- By (author) Jean-Pierre Isbouts
- By (author) Salvatore Lorusso
- By (author) Andrea Natali
- By (author) Vadim Parfenov
- Edited by Salvatore Lorusso
- Edited by Andrea Natali
Other Titles in this Series
Dalle Fiandre a Napoli
Committenza artistica, politica, diplomazia al tempo di Alfonzo il Magnanimo e Filippo il Buono
Volume 9
Luigi Poletti. Gli orientamenti del restauro nella prima meta dell’Ottocento
Stile, filologia, storia
Volume 26
Le chiese di Corneto nel XII e XIII secolo
Tra autonomia innesti e scambi di culture architettoniche
Volume 29
L’accademia del nudo e i manuali del Guercino
Saggio di storie dell'arte, teoria dell'immagine e simbolica politica
Volume 37
Giovanni Baratta 1670-1747. Scultura e industria del marmo tra la Toscana e le corti d’Europa
Volume 10
La Santissima Trinita in Monte Oliveto
Storia, architettura e arte di un monastero vallombrosano nella Verona medievale
Volume 40
L’Abbazia di San Galgano
le sue filiazioni e il loro ruolo nella spiritualita e nella cultura dell'area tosco-umbra
Volume 41
Renaissance Weddings and the Antique
Italian Secular Paintings from the Lanckoronski Collection
Volume 20
Is the Louvre Mona Lisa Leonardo’s Second Version?
Methodological path, historical-bibliographic sources, final judgement
Volume 31
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
