From Gypsy to Bohemian
A Study of the Musical Rhapsody
By (author) Anna G. Piotrowska
This monograph investigates the history and the reception of the rhapsody. Winner of the 2024 triennial Alan Walker Book Award, sponsored by the American Liszt Society.
This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that ‘rhapsody’ and ‘Gypsiness’ can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called ‘Gypsies’) as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications. Winner of the 2024 Triennial Alan Walker Book Award
- By (author) Anna G. Piotrowska
Other Titles in this Series
Singing Speech and Speaking Melodies
Minor Forms of Musical Theatre in the 18th and 19th Century
Volume 43
La Musique religieuse en France au XIXe siecle
Le sentiment religieux entre profane et sacre (1830-1914)
Volume 44
Of Signs and Sounds
Musical Interpretation and Performance from the 19th to the 21st Century
Volume 58
Beethoven the European
Transcultural Contexts of Performance, Interpretation and Reception
Volume 48
En pelerinage avec Liszt
Virtuosos, Repertoire and Performing Venues in 19th-Century Europe
Volume 24
Sound of Empire
Soundscapes, Aesthetics and Performance between Ancien regime and Restoration
Volume 51
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