Narrative and Narrativity in Ancient Egypt
Case Studies on Narrative Difference in Various Media
Edited by Gerald Moers
The volume collects the result of the project Altagyptische Erzahlungen in Texten und Bildern: Agyptologische Perspektiven auf zentrale Axiome einer historischen Text- und Bildnarratologie. It presents a sound methodological perspective for an analysis of the medial diversity and the historical uniqueness of the Ancient Egyptian narr
The volume collects the result of the project Altagyptische Erzahlungen in Texten und Bildern: Agyptologische Perspektiven auf zentrale Axiome einer historischen Text- und Bildnarratologie. It presents a sound methodological perspective for an analysis of the medial diversity and the historical uniqueness of the Ancient Egyptian narrative culture at the interface of contemporary narratological theories and Egyptological practise. A methodological introduction by Gerald Moers and four case studies on categories of narrative artefacts as diverse as texts, images, and tombs argue in favour of appropriately adjusting narratological theories – instead of just using them – with respect to the historically specific differences of the Egyptian narrative behaviour. Based on a cognitive approach that defines human experience as generally framed in a narrative manner, the contributions define narrative as a phenomenon that is neither restricted to nor defined by one medium that would be considered paradigmatically narrative. The study by Camilla di Biase-Dyson on the Egyptian term s.Dd, which has so far been understood as to refer to linear verbal narrative, argues for a much more complex and sophisticated semantics of the term as defining a specifically Egyptian understanding of what narrative is. In a similar manner, the analysis of certain spells from the Pyramid Texts by Kristina Hutter and Dina Serova establishes the existence of narrative coherence in a genre of texts that has so far been considered as being non-narrative by definition. The study of Claus Jurman on Old Kingdom tombs shows that their integrated compilation of texts, images, statuary, and architecture results in non-linear but complex multimodal narratives. Gerald Moers, in his analysis of exemplary genre-scenes from Ramesside ostraca, shows that even some so-called monochronic images that depict precisely one moment in time and have thus traditionally been said to be a-temporal and non-narrative by definition, often have a clearly structured temporal program and can thus be considered autonomous narratives.
- Edited by Gerald Moers
Other Titles in this Series
Elements de la terminologie du temps en egyptien ancien
Une etude de semantique lexicale en diachronie
Volume 21
Greek Influence on Egyptian-Coptic
Contact-Induced Change in an Ancient African Language (DDGLC Working Papers 1)
Volume 17
Transitivity and Aspect in Sahidic Coptic
Studies in the Morphosyntax of Native and Greek-Origin Verbs
Volume 26
Wer schreibt die Geschichte(n)?
Die 8. bis fruhe 12. Dynastie im Licht agyptologischer und agyptischer Sinnbildungen
Volume 27
Linguistic Dating of Middle Egyptian Literary Texts
'Dating Egyptian Literary Texts' Gottingen, 9-12 June 2010, Volume 2
Volume 12
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