The Regal Image of Richard II and the Wilton Diptych
Edited by Dillian Gordon Edited by Lisa Monnas Edited by Caroline Elam
Hardback (Published)
(January 1997)
ISBN: 9781872501727
Price: $50.00
On back order
The Wilton Diptych, in the National Gallery in London, has always been the focus of attention, not only because of its intrinsic beauty as a work of art but also because its evident personal link with Richard II – a king who was ever conscious of the regal image and his God-given monarchical status. Following the important exhibition at the National Gallery in 1992, after the cleaning of the panels, a symposium was held on all aspects of the painting itself, and on the history and arts of Richard II’s time. The present volume offers the paper given on that occasion, as well as some additional contributions. The essays included in this book cover many fields. Richard II’s ideas of kingship are considered by Niguel Saul; his major architectural achievement, the rebuilding of Westminster Hall, is presented by Christopher Wilson, while its sculptural embellishments, the statues of English kings, are examined, together with Richard’s tomb, by Phillip Lindley. Kay Staniland asks whether the King’s clothing was extravagant and Marian Campbell describes the jewellery and metalwork known to have been in his possession. Shelagh Mitchell brings out Richard II’s profound devotion to the cult of saints. Celia Fisher looks at the meaning of the flowers depicted in the field of Paradise in which the Virgin and Angels are set, and the individual plants on which the White Hart is couched, and Lucy Sandler compares devotional images in contemporary manuscripts. Ashok Roy comments on the technique of the Diptych. Lisa Monnas brings examples of textiles which closely match those in which the figures in the Diptych are apparelled. Nigel Morgan assesses the ‘signi fication’ of the banner, and Maurice Keen considers the painting as a possible crusading icon. Jonathan Alexander analyses the famous portrait of Richard II in Westminster Abey and Pamela Tud This volume offers a collection of selected essays discussing the Wilton Diptych, a work of art with intrinsic beauty and with an evident personal link with Richard II – a king who was ever conscious of the regal image and his God-given monarchical status.
- Edited by Dillian Gordon
- Edited by Lisa Monnas
- Edited by Caroline Elam
Other Titles in this Series
Pleasure and Politics at the Court of France
The Artistic Patronage of Queen Marie of Brabant (1260-1321)
Volume 64
Early Engravers and their Public
The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500
Volume 39
Venetian Painting in the Fifteenth Century
Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna
Volume 36
The Splendor of the Word
Medieval and Renaissance Manuscripts at the New York Public Library
Volume 44
Manuscript Painting in Thirteenth-Century Flanders
Bruges, Ghent and the Circle of the Counts
Volume 63
Similar Books
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Nicholas of Lyra’s Commentaries on the Gospels of Matthew and Luke
Franciscan Exegesis in a Time of Crisis
Power and Women in Southeast and Central Europe in Late Medieval and Early Modern Period (1300-1600)
Volume 10
The Embodied Court in the Premodern World
Understanding the Physicality, Performativity and Lifecycle of Bodies at Court in Europe and Beyond, 1400-1800
Volume 4
Women in Late Antiquity and the Early Middle Ages
Studies from Western Europe and North Africa
Volume 44
Medialisierung des Ephemeren
Dimensionen des Akustischen in Texten, Bildern und Artefakten des Mittelalters
Un fascicolo di prediche pistoiesi del 1233. (Pistoia, Archivio Capitolare, C.112)
A cura di Gilda P. Mantovani, Marco Petoletti e Riccardo Saccenti
Volume 556
Building the Presence of the Prince
The Institutions Responsible for the Construction and Management of the Buildings of European Courts (14th-17th centuries)
Volume 14

wunder in Serie