The Gaze from Above
Reflections on Cosmic Eyes in Visual Culture
By (author) B. Baert
Through a deep engagement with recent iconological methods the author travels up and down a methodological Jacob’s ladder, between the artist’s gazes from the earth to the sky. The reader is treated to studies on a wide variety of objects and mediums, ranging from the embroidery of Girone, the Hereford mappa mundi to the genesis cycle in the Saint Mark’s Basilica in Venice.
When gazing into the vast expanse of ‘the universe’, humankind experiences the universal desire to fathom the mystery of its creation. We utilize our unique ability to express ourselves through artistic means to make this mystery tangible, transmuting the secrets of the cosmos into stunning objects and ingenious symbols. Through a deep engagement with recent iconological methods the author travels up and down a methodological Jacob’s ladder, between the artist’s gazes from the earth to the sky. The reader is treated to studies on a wide variety of objects and mediums, ranging from the embroidery of Girone, the Hereford mappa mundi to the genesis cycle in the Saint Mark’s Basilica in Venice. The author reconsiders the iconic gaze of van Eyck’s lamb and enters Danae’s uncanny, voyeuristic space in the painting by Jan Gossaert. Meanwhile, she allows other thinkers to explore these questions alongside her. She turns to Erwin Panofsky, who writes about his fascination with Galileo Galilei’s telescope, and finally Lars von Trier and his movie Melancholia gets to call it Schluss. All the artworks in this captivating book contribute to unravel the largest mystery that surrounds us: the cosmos. The image blooms into the countenance of that majestic, astonishing black pupil above us. Or as Aby Warburg once wrote: “Contemplation of the sky is the grace and the curse of humanity.”
- By (author) B. Baert
Other Titles in this Series
Utopia’s Doom
The 'Graal' as Paradise of Lust, the Sect of the Free Spirit and Jheronimus Bosch's so-called 'Garden of Earthly Delights'
Volume 8
From Flow to Face
The Haemorrhoissa Motif (Mark 5:24b-34parr) between Anthropological Origin and Image Paradigm
Volume 3
From Conservation to Interpretation
Studies of Religious Art (c. 1100-c. 1800) in Northern and Central Europe
Volume 7
Pneuma and the Visual Medium in the Middle Ages and Early Modernity
Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kairos, Web and Silence
Volume 5
Decapitation and Sacrifice
Saint John's Head in Interdisciplinary Perspectives: Text, Object, Medium
Volume 6
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