Pneuma and the Visual Medium in the Middle Ages and Early Modernity
Essays on Wind, Ruach, Incarnation, Odour, Stains, Movement, Kairos, Web and Silence
By (author) B. Baert
The focus of these essays is the impact of wind, pneuma, and movement in medieval and early modern iconography on art historical hermeneutics. What can wind, pneuma, and movement tell us about the visual medium as such? Wind joins, flows, links, changes direction–in short, the wind is capricious. In its capriciousness wind embodies a particular hermeneutics of association, of freedom and the unexpected. Is an iconography of this caprice possible? How does one capture in pictorial form a natural phenomenon that envelops and penetrates us, even escapes from our own bodies? The dynamics of wind are after all only indirectly visible: swaying trees, waving grass, fluttering textile. How has wind impregnated the theory of the image? Is it a question of visual pneuma? And is wind in the arts a question of content, or rather a matter of formal affect?
- By (author) B. Baert
Other Titles in this Series
From Flow to Face
The Haemorrhoissa Motif (Mark 5:24b-34parr) between Anthropological Origin and Image Paradigm
Volume 3
Decapitation and Sacrifice
Saint John's Head in Interdisciplinary Perspectives: Text, Object, Medium
Volume 6
Utopia’s Doom
The 'Graal' as Paradise of Lust, the Sect of the Free Spirit and Jheronimus Bosch's so-called 'Garden of Earthly Delights'
Volume 8
From Conservation to Interpretation
Studies of Religious Art (c. 1100-c. 1800) in Northern and Central Europe
Volume 7
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