Terracottas in Motion across the Ancient Mediterranean
Greek – Cypriot – Punic
Edited by Jaimee Uhlenbrock Edited by Maya Muratov
Paperback (Forthcoming)
(December 2026)
ISBN: 9781805833727
7.99 x 10.91 inches
Price: $125.00
This volume explores figurative terracottas in the ancient Mediterranean through the theme of movement. Examining ritual use, trade, repair, collecting and display, it reveals how terracottas circulated across time and space, shaping identity, memory and cultural interaction while offering new perspectives on their interpretation.
This book explores figurative terracottas from the ancient Mediterranean through the over-arching concept of motion, or mobility, as it is found in ritual, identity, sensory and emotional experiences, museum display, and collecting practices. Motion was expressed by the continued replication of terracotta types over centuries and through their passage across time, illustrated by the safeguarding of terracottas that were found in ritual contexts dating from generations later. There was also the physical motion, or change, that occurred when a complete terracotta was broken and deposited during a ritual, while another fragment of the same terracotta was put to ritual use in another contemporary context, or in one that postdated the terracotta by several generations. Conversely, there was movement that occurred when two broken parts of a terracotta were brought together in a gesture of repair to extend their use life. Trade carried terracottas and their molds far from their place of manufacture, while artisans’ mobility enabled them to move across the ancient Mediterranean landscape, bringing their molds with them. Some terracottas were functionally able to move because they were fitted with movable limbs and holes and loops for suspension so they could dangle freely in space; others invited the user to interact by means of elements that could be moved. The choice of motion as the basic framework in this investigation of figurative terracottas illustrates unending possibilities for interpretation.
Preface/ Acknowledgements
List of Contributors
1. Capturing Motion in Clay: Reality and Metaphor in Boeotian Figurines – Victoria Sabetai
2. Terracottas in Motion along the Gulf of Taranto – Eukene Bilbao Zubiri
3. A Community in Procession: A Glimpse from Terracottas – Marina Albertocchi
4. “My pretty girl…bear your basket prettily.” The Syracusan Kanephoroi and the Others: On Gesture, Posture, and Dress as Identity Markers – Antonella Pautasso
5. The Smoking God’s Head: Experiencing Punic Incense Burners – Jennifer Moore
6. Representing Motion for Ancient Cypriot Votive Terracottas: Museum Practices and Possibilities – Claudina Romero Mayorga and Anna Reeve
7. Terracottas in Motion from Camarina to Paris – Jaimee Uhlenbrock
8. Terracottas in Motion: The Long View – Jaimee Uhlenbrock and Maya Muratov
Index
Jaimee Uhlenbrock, Professor Emerita of the State University of New York at New Paltz, received her PhD in classical archaeology in 1978 from the Institute of Fine Arts, New York University. A founding member of The Association for Coroplastic Studies, she also serves as President.
Maya Muratov is an Associate Research Curator for Provenance at the Department of Greek and Roman Art at the Metropolitan Museum of Art. She received her PhD in Greek and Roman Art and Archaeology from the Institute of Fine Arts, New York University.
- Edited by Jaimee Uhlenbrock
- Edited by Maya Muratov
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