Subjects from History
By (author) Elizabeth McGrath
Elizabeth McGrath recreates the context in which Rubens, who was familiar enough with classical writings to interpret them with originally and wit, worked and casts new light on rarely discussed and misidentified subjects.
For Ruben’s age, as for the ancient Romans, history was valued for the lessons it taught. Rubens was deeply interested in history, particularly the works of the ancient writers like Ovid, Plutarch and Juvenal, which were full of exemplary figures. Yet unlike many Renaissance artists who merely sought texts they could illustrate, Rubens was familiar enough with classical writings to interpret them with originally and wit – always with an eye for the visually striking aspect. He was thus uniquely qualified to respond to the requirements of particular commissions with exemplary themes like The Continence of Scipio, The Justice of Cambyses, The Devotion of Artemisia and The Courage of Cloelia. Elizabeth McGrath recreates the context in which Rubens worked and casts new light on rarely discussed and misidentified subjects. Also included is a detailed analysis of the tapestry cartoons on the life of Romulus, now in the National Museum of Wales, relating the series to all relevant studies, paintings and tapestries.
- By (author) Elizabeth McGrath
Other Titles in this Series
Corpus Rubenianum Ludwig Burchard
Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Titian and North Italian Art
Corpus Rubenianum Ludwig Burchard
Copies and Adaptations from Renaissance and Later Artists: Italian Masters. Artists Working in Central Italy and France
Corpus Rubenianum Part IV
The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family: The Holy Trinity and The Life of the Virgin
Volume 4.1
Copies and Adaptations from Renaissance and Later Artists
German and Netherlandish Artists
Volume 26.1
Portraits of Unidentified and Newly Identified Sitters Painted in Antwerp
Corpus Rubenianum Ludwig Burchard XIX.3
Volume 19.3
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