Sapientia et eloquentia
Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages
Edited by Gunilla Iversen Edited by Nicolas Bell
This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard’s poetry, the Gloss to Lamentations, and ritual representations or ‘liturgical drama’. The two final chapters treat fourteenth-century uses and understandings of Boethius’s De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions.
This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard’s poetry, the Gloss to Lamentations, and ritual representations or ‘liturgical drama’. The two final chapters treat fourteenth-century uses and understandings of Boethius’s De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions.
- Edited by Gunilla Iversen
- Edited by Nicolas Bell
Other Titles in this Series
Political Thought and Eleventh-Century Populism
The Meek, the Many, and the Meritorious during the Age of the Gregorian Reform
Volume 38
Mind Matters
Studies of Medieval and Early Modern Intellectual History in Honour of Marcia Colish
Volume 21
Public Declamations
Essays on Medieval Rhetoric, Education, and Letters in Honour of Martin Camargo
Volume 27
Medieval Art at the Intersection of Visuality and Material Culture
Studies in the 'Semantics of Vision'
Volume 32
Law and Theology in Twelfth-Century England
The Works of Master Vacarius (c. 1115/20 - c. 1200)
Volume 10
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