Medieval Art at the Intersection of Visuality and Material Culture
Studies in the 'Semantics of Vision'
Edited by Raphaele Preisinger
Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the ‘material turn’. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.
- Edited by Raphaele Preisinger
Other Titles in this Series
Fictions of the Inner Life
Religious Literature and Formation of the Self in the Eleventh and Twelfth Centuries
Volume 4
Political Thought and Eleventh-Century Populism
The Meek, the Many, and the Meritorious during the Age of the Gregorian Reform
Volume 38
Mind Matters
Studies of Medieval and Early Modern Intellectual History in Honour of Marcia Colish
Volume 21
Public Declamations
Essays on Medieval Rhetoric, Education, and Letters in Honour of Martin Camargo
Volume 27
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