Re-Membering the Present
The Medieval German Poet-Minstrel in Cultural Context
By (author) Maria Dobozy
The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events – this book investigates his techniques, critiques and the impact of his performances.
This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, influenced the creation, dissemination, and interpretation of the medieval poetic oeuvre. Performance theory is used as a framework throughout. Since no social history of poet-performers exists in English, part I presents a social history that re-examines what is known about social status, cultural image and employment. Part II investigates the affective nature of performance and focuses on poet-composer-performers. This study argues that the techniques and principles of performance (body movement, gesture, voice modulation, instrumentation) and the goals of creating a memorable, even electrifying experience for audiences determine the performer’s lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people’s attitudes. Poet-minstrels were capable of re-membering the listeners’ memories of the past during the intense present of the performance. Readings of several texts are offered, including romances, the political songs of well-known poet-performers (i.e. Walther von der Vogelweide) and the gnomic poets (Spruchdichter) whose songs have been neglected until now. The songs are quite intricate and multivalent as they masterfully display an aesthetic totally integrated with their performative context.
- By (author) Maria Dobozy
Other Titles in this Series
Public Declamations
Essays on Medieval Rhetoric, Education, and Letters in Honour of Martin Camargo
Volume 27
Medieval Art at the Intersection of Visuality and Material Culture
Studies in the 'Semantics of Vision'
Volume 32
Law and Theology in Twelfth-Century England
The Works of Master Vacarius (c. 1115/20 - c. 1200)
Volume 10
Sapientia et eloquentia
Meaning and Function in Liturgical Poetry, Music, Drama, and Biblical Commentary in the Middle Ages
Volume 11
The Classics in the Medieval and Renaissance Classroom
The Role of Ancient Texts in the Arts Curriculum as Revealed by Surviving Manuscripts and Early Printed Books
Volume 20
Medieval Thought Experiments
Poetry, Hypothesis, and Experience in the European Middle Ages
Volume 31
Fictions of the Inner Life
Religious Literature and Formation of the Self in the Eleventh and Twelfth Centuries
Volume 4
Political Thought and Eleventh-Century Populism
The Meek, the Many, and the Meritorious during the Age of the Gregorian Reform
Volume 38
Mind Matters
Studies of Medieval and Early Modern Intellectual History in Honour of Marcia Colish
Volume 21
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