Precious Stones in Religious Objects

Use and Representation in the Early Medieval Latin West

by Veronika Pichanicova

Book cover: Precious Stones in Religious Objects

Extent: 2024 pages

Publisher: Viella – libreria editrice

Subjects: Art & Art History, Medieval Studies, Religious Studies

Series: I libri di Viella. Arte / Studia Artium Medievalium Brunensia

Series volume number: 14

Language: English

Paperback (Published)

(January 2024)

ISBN: 9791254692110

Price: $35.00

Out of stock

Since the dawn of Christianity, precious stones embarked on a journey where they were gradually cleansed from their Pagan past of being used as magical amulets and introduced into the world of Christian symbolism and allegory. They became ubiquitous on the most important sacred objects-from reliquaries and crosses to altars and ornate covers for the Holy Scriptures, they broadcasted the inner, spiritual value of these items through means that were easily understandable by everyone.


Precious stones have fascinated mankind for millennia. These glistening and colourful pieces of nature were centres of various legends and superstitions, used for healing and protection as well as signs of status and wealth. Since the dawn of Christianity, precious stones embarked on a journey where they were gradually cleansed from their Pagan past of being used as magical amulets and introduced into the world of Christian symbolism and allegory. They became ubiquitous on the most important sacred objects – from reliquaries and crosses to altars and ornate covers for the Holy Scriptures, they broadcasted the inner, spiritual value of these items through means that were easily understandable by everyone. Similarly, the visual prowess of precious stones was also utilized through mosaics or sparkling stained-glass windows, transforming entire sacred spaces into magnificent jewel-like visions of Heavenly Jerusalem. Whether real or represented in glass, precious stones were far more than mere decoration or a sign of profane wealth. As this book shows, at least for a moment they enabled medieval eyes to experience the vision of otherworldly beauty and preciousness, a true vision of the sacred.

  • By (author) Veronika Pichanicova