From Byzantium to Holy Russia
Nikodim Kondakov (1844-1925) and the Invention of the Icon
by Ivan Foletti and translated by Sarah Melker
Paperback (Published)
(June 2017)
ISBN: 9788867287529
Price: $68.00
On back order
Tracing the life and work of Nikodim Kondakov, a pioneer in the field of late Antiquity and Byzantium in eastern Europe, this biography is a true tale of adventure. It follows the complicated and challenging events in Kondakov’s life before and after the Russian Revolution, from his humble beginnings to his university studies and analyzes his inspired creation of an innovative and precocious study of art history in Russia. From a brilliant and successful career to the trauma endured during the Russian Revolution, the story becomes one of wandering and dependence; nevertheless, and in spite of the shift in history and in his own life, Kondakov’s studies sketch a vast geography of Late Antique and medieval culture from the Mediterranean to the Urals. The work approaches distant horizons, giving a glimpse of the migrations from Asia and the inception of medieval Europe with its Christian values; and it travels the paths of history along trails marked by artifacts and monuments. Reconstructing the personal and existential events in Nikodim Kondakov’s life contributes to the understanding of a critical phase in the founding of art history and, more broadly, the histories of Russia and of the countries the scholar traversed during a long life filled with tribulations.
- By (author) Ivan Foletti
- Translated by Sarah Melker
Other Titles in this Series
Precious Stones in Religious Objects
Use and Representation in the Early Medieval Latin West
Volume 14
Inventing Late Antique Reliquaries
Reception, Material History, and Dynamics of Interaction (4th-6th centuries CE)
Volume 12
Il mito di Ravenna nell’Ottocento
Immaginare una citta tardoantica tra il Congresso di Vienna e la Grande guerra
Volume 13
Central Europe as a Meeting Point of Visual Cultures
Circulation of Persons, Artifacts, and Ideas
Volume 11
Ritualizing the City
Collective Performances as Aspects of Urban Construction from Constantine to Mao
Volume 6
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