Central Europe as a Meeting Point of Visual Cultures
Circulation of Persons, Artifacts, and Ideas
edited by Ondrej Jakubec, Radka Nokkala Miltova and Ivan Foletti
The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jiri Kroupa’s pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges.
- By (author) Michele Bacci
- By (author) Thomas DaCosta Kaufmann
- By (author) Ivan Foletti
- By (author) Ulrich Furst
- By (author) Jan Galeta
- By (author) Ondrej Jakubec
- By (author) Jan Klipa
- By (author) Radka Nokkala Miltova
- By (author) Adrien Palladino
- By (author) Alena Pomajzlova
- By (author) Marcela Rusinko
- Edited by Ivan Foletti
- Edited by Ondrej Jakubec
- Edited by Radka Nokkala Miltova
Other Titles in this Series
Ritualizing the City
Collective Performances as Aspects of Urban Construction from Constantine to Mao
Volume 6
Precious Stones in Religious Objects
Use and Representation in the Early Medieval Latin West
Volume 14
Inventing Late Antique Reliquaries
Reception, Material History, and Dynamics of Interaction (4th-6th centuries CE)
Volume 12
Il mito di Ravenna nell’Ottocento
Immaginare una citta tardoantica tra il Congresso di Vienna e la Grande guerra
Volume 13
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