Melodrames. Tome IV
1809-1810
by Rene-Charles Guilbert de Pixerecourt and edited by Roxane Martin, Marion Lemaire and Maurizio Melai
This volume presents a critical edition of three melodramas (La Citerne, Marguerite d’Anjou, and Les Ruines de Babylone) along with their original incidental music. The critical material supplementing the text provides a backstage look at the production of Pixerecourtian melodramas in the very constrictive political context of 1809-1810.
This volume presents a critical edition of three melodramas (La Citerne, Marguerite d’Anjou, and Les Ruines de Babylone) along with their original incidental music. The critical material supplementing the text provides a backstage look at the production of Pixerecourtian melodramas in the very constrictive political context of 1809-1810.
- By (author) Rene-Charles Guilbert de Pixerecourt
- Edited by Marion Lemaire
- Edited by Roxane Martin
- Edited by Maurizio Melai
Other Titles in this Series
Le Legataire universel, La Critique du Legataire, Sapor, Les Souhaits, Les Vendanges ou le Bailli d’Asnieres
Drames et pièces historiques
Les Merveilleuses, Madame Sans-Gêne, Paméla, marchande de frivolités, Tome IV
Volume 36
Theatre complet
Les six premieres Comedies facecieuses (Le Morfondu, Les Jaloux, Les Escolliers)
Volume 44
Théâtre complet
Tome I - Les six premieres Comedies facecieuses (Le Laquais, La Vefve, Les Esprits)
Volume 3
Recueil general de moralites d’expression francaise. Tome XIII
La Maladie de Chretiente, La Verite cachee et six pieces polemiques du Recueil de Rouen
Volume 94
Similar Books
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Music and Colonialism in Fascist Italy
Identity, Propaganda, and Ethnographic Representation
Volume 13
„Parteibuch“, Universalpoesie und weltliterarisches Gesamtkunstwerk
Max Kalbecks monumentale Biografie Johannes Brahms
