Iconographic and Comparative Studies in Medieval Drama
Edited by Clifford Davidson Edited by John H. Stroupe Edited by Meg Twycross
Paperback (Published)
(July 1991)
ISBN: 9780918720498
6.14 x 9.21 inches
Price: $19.95
On back order
Articles drawn from papers presented at the Sixth Triennial Colloquium of the International Society for the Study of the Medieval Theatre. The connections between medieval art and drama are explored in topics ranging from English mystery plays to the Assumption to the Cuzco Corpus Christi paintings.
This compelling volume contains ten articles drawn from papers presented at the Sixth Triennial Colloquium of the International Society for the Study of the Medieval Theatre. Each essay examines the fascinating connection between medieval art and medieval drama, which, when presented together in a single volume, comprehensively represent the wide range of approaches on the topic. The connections between medieval art and drama are explored in topics ranging from English mystery plays to the Assumption to the Cuzco Corpus Christi paintings.
Introduction by Meg Twycross
On the Use of Figurative Art as a Source for the Study of Medieval Spectacles by Paola Ventrone
The Staging of the Assumption in Europe by J. Francesc Massip
The Hierosphthitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption by Ann Eljenholm Nichols
The Staging of the First Murder in the Mystery Plays in England by Cherrell Guilfoyle
The Great Calvaries of Brittany and the Medieval Breton Burzud braz Jezuz by Stanley Damberger and Ellin M. Kelly
Positional Symbolism and English Medieval Drama by Clifford Davidson
The Way of Vice and Virtue: A Medieval Psychology by Eva Kimminich
St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères by Élisabeth Lalou
The Iconography of Audience in the Cuzco Corpus Christi Paintings by Barbara H. Jaye and William P. Mitchell
St. Denis in Antwerp: Hagiographica in a Protestant Play by B. A. M. Ramakers
- Edited by Clifford Davidson
- Edited by John H. Stroupe
- Edited by Meg Twycross
Other Titles in this Series
The Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages
Shakespeare’s Play within Play
Medieval Imagery and Scenic Form in "Hamlet," "Othello," and "King Lear"
Drama and Art
An Introduction to the Use of Evidence from the Visual Arts for the Study of Early Drama
Crossing the Boundaries
Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
Word, Picture, and Spectacle
Papers by Karl P. Wentersdorf, Roger Ellis, Clifford Davidson, and R. W. Hanning
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