Cultural Exchange between the Low Countries and Italy (1400-1600)
Edited by Ingrid Alexander-Skipnes
Preface - Diane Wolfthal, Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece - Michael Rohlmann, The Annunciation by Joos Ammann in Genoa: Context, Function and Metapictorial Quality - Creighton Gilbert, Piero and Bouts - Francis Ames-Lewis, Sources and Documents for the Use of the Oil Medium in Fifteenth-Century Italian Painting - Maria Clelia Galassi, Aspects of Antonello da Messina's Technique and Working Method in the 1470s: Between Italian and Flemish Tradition - Colin Eisler, Flying Pictorial Carpets - Tapestries' Transalpine Agendas -Ingrid D. Rowland, Agostino Chigi's Flemish Connection- Elizabeth Ross, Mainz at the Crossroads of Utrecht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486) - Ingrid Alexander-Skipnes, Northern Realism and Carthusian Devotion: Bergognone's Christ Carrying the Cross for the Certosa of Pavia - Marina Belozerskaya, Critical Mass: Importing Luxury Industries Across the Alps - Barbara G. Lane, Memling's Impact on the Early Raphael - Laura D. Gelfand, Regional Styles and Political Ambitions: Margaret of Austria's Monastic Foundation at Brou- Yona Pinson, Moralized Triumphal Chariots - Metamorphosis of Petrarch's Trionfi in Northern Art (c. 1530- c. 1560) - Frits Scholten, Spiriti veramente divini: Sculptors from the Low Countries in Italy, 1500-1600 - Nello Forti Grazzini, Brussels Tapestries for Italian Customers: Cardinal Montalto's Landscape with Animals Made by Jan II Raes and Catherine van den Eynde - Bibliography - Colour Plates.
- Edited by Ingrid Alexander-Skipnes
Other Titles in this Series
The Age of Rubens
Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe
Volume 26
Recent Developments in the Technical Examination of Early Netherlandish Painting
Methodology, Limitations and Perspectives
Volume 10
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Beyond Sovereign Courts
Agents and Practices in Early Modern Spanish and Habsburg Diplomacy
Volume 3
Circulation, Use, Impact
The Consumption of Architectural Books in the Early Modern Eastern Adriatic
Volume 1
Councils, Conflicts, Correspondence
Urban Diplomacy in Reval (Tallinn) and Lübeck (c. 1470–1570)
Volume 67
ENTANGLED AFRICA
Intra-African Relations Between Rain Forest and Mediterranean from Around 4,000 BCE to 1,500 CE
Gold, Silver and Glass: Power Networks, Cultural Identities, Technology Transfers and Agency across the Old World (7th Century BC – 1st Century AD)
Proceedings of a Conference Held at the British Museum, 16–18 June 2023
Homo-Politicus in the Balkans
Early Modern Southeast European History in Imperial and Regional Context
Innovationes Lovanienses: Arts, Law and Theology at the University of Louvain (1425–1797)
Studium Lovaniense: Learning across Borders, 2
Volume 18
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Listening to the Swan Song
More-than-Human Beings and Sounds in Literature and Culture Through the Ages
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
