Le Rubenisme en Europe aux XVIIe et XVIIIe siecles
Edited by Michele-Caroline Heck
I. La reception du modele rubenien aux XVIIe et XVIIIe siecles A. Merle du Bourg, Rubens en France au XVIIe siecle: tableaux, cartons et esquisses; P. Michel, Rubens et les collectionneurs francais au XVIIIe siecle: contribution a lhistoire dune reception; N. Harabasz, La diffusion de lart de Rubens par lestampe: reception dans la France fin XVIIe-XVIIIe siecle; G. Maes, La reception de Rubens en France au XVIIIe siecle: quelques jalons; J. Martin Muller, Rubens Altarpiece in the Antwerp Dominican Church: How Visitors and Guidebooks saw it II. Regards, copies et interpretations E. Delapierre, De la plume au pinceau. Quelques reflexions sur la querelle du coloris: entre theorie et pratique; P. Bertrand, La tapisserie et Rubens; M. Boudon, Luvre de Rubens, modele pour les sculpteurs? Le cas de Van Opstal et de Du Quesnoy; A. Magnien, Du rubenisme dans la sculpture: la couleur, le coloris et la chair; S. Raux, Les dessins de Fragonard dapres Rubens: transposition, interpretation, creation III. Les enjeux theoriques de la Querelle du coloris et du rubenisme L. de Vries, Rubens Medici Cycle: Italian Art Theory and Flemish Painting; C. Michel, Y a-t-il eu une querelle du rubenisme a lAcademie royale de Peinture et de Sculpture?; Th. Puttfarken, Titian Rubens de Piles; M.-C. Heck, Le regard paradoxal de Joachim von Sandrart sur Rubens; Th.W. Gaehtgens, Johann Jakob Wilhelm Heinse, une reception particuliere de Rubens; Th. DaCosta Kaufmann, Maulbertsch et la Querelle du coloris en Europe Centrale au XVIIIe siecle.
- Edited by Michele-Caroline Heck
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