Sponsors of the Past
Flemish Art and Patronage, 1550-1700
Edited by Katlijne Van der Stighelen Edited by Hans Vlieghe
K. De Jonge, A model court architect: Mary of Hungary and Jacques Du Broeucq (1545-1556)J. Juan Perez Preciado, Aarschot and Solre. The collections, patronage and influence in Spain of two Flemish noblemenS. van Sprang, Les peintres de la cour d’ Albert et Isabelle: une tentative de classificationD. Howarth, Rubens and Philip IV: a reappraisalH. Vlieghe, ‘Frayicheyt ende kunst daer syne inclinatie toe stryckt’: beschouwingen over het mecenaat van aartshertog Leopold-Wilhelm tijdens zijn landvoogdij over de Zuidelijke Nederlanden (1647-1656)K. Van der Stighelen, ‘Prima inter pares’. Over de voorkeur van Aartshertog Leopold-Wilhelm voor Michaelina Woutiers (ca 1620-na 1682)J. M. Muller, Institution and framework: the new chapter of canons and its choir space in the St. Jacob’s Church, AntwerpC. Gottler, Saints and patronage: Peter Paul Rubens and Maximilian Villain de Gand in the cathedral of TournaiB. Haeger, Abbot Van der Steen and St Michael’s abbey: the restoration of its church, its images, and its place in AntwerpV. Herremans, Vroomheid verbeeld. Iconografie van de 17de-eeuwse Zuid-Nederlandse retabelsculptuur: het aandeel van de opdrachtgeverB. Timmermans, Een elite als actor binnen een zeventiende-eeuwse kunstwereld. Uitbouw en patronen van patronage(netwerken) in de Antwerpse NazomerB. Welzel, Rubens’ Anbetung der Konige 1608 und 1628/29: die Gestaltung fur verschiedene Patrone
Hannelore Magnus is a full-time PhD. fellow of the Research Foundation-Flanders (FWO) at the same Research Unit of KU Leuven. She prepares a doctoral dissertation on fashion, dance and courting in the oeuvre of the Antwerp genre painter Hieronymus Janssens (1624-1693). Katlijne Van der Stighelen is full professor of Early Modern Art History at KU Leuven. Her main research and publication topics are 17th-century Flemish art in general and portraiture in particular as well as woman artists. She is currently investigating aspects of technological imaging in collaboration with the University of Antwerp (Department of Chemistry) and is preparing a monograph on Michaelina Woutiers, an artist from Mons who lived in Brussels in the second half of the 17th century.
- Edited by Katlijne Van der Stighelen
- Edited by Hans Vlieghe
Other Titles in this Series
The Age of Rubens
Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe
Volume 26
Recent Developments in the Technical Examination of Early Netherlandish Painting
Methodology, Limitations and Perspectives
Volume 10
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