Bringing the Holy Land Home
The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece
Edited by Amanda Luyster
This volume reveals the impact that art objects manufactured in the Islamic and Byzantine Mediterranean had on the medieval visual culture of England. It also addresses the complex phenomenon of the Crusades, in which both violence and dynamic cultural interaction coexisted. The 2024 Monica H. Green Prize for Distinguished Medie
A carefully-integrated group of studies begins with the so-called “Chertsey” ceramic tiles, depicting combat between King Richard the Lionheart and Saladin. Found at Chertsey Abbey not far outside London and admired since the nineteenth century, we present here a new reconstruction of both the tiles and their previously-undeciphered Latin texts. The reconstruction demonstrates not only that the theme of the entire mosaic is the Crusades, but also that the overall appearance of the tiles, when laid as a floor, draws from the composition and iconography of imported Islamic and Byzantine silks. Essays illuminate specific material contexts that similarly witness western Europe’s, and particularly England’s, engagement with the material culture of the eastern Mediterranean, including ceramics, textiles, relics and reliquaries, metalwork, coins, sculpture, and ivories.
- Edited by Amanda Luyster
Other Titles in this Series
A Renaissance Wedding
The Celebrations at Pesaro for the Marriage of Costanzo Sforza & Camilla Marzano d'Aragona (26 - 30 May 1475)
Volume 71
Late Gothic Sculpture in Northern Italy
Andrea da Giona and I Maestri Caronesi: An Addition to the Pantheon of Venetian Sculptors
North-European Panel Paintings
A Catalogue of Netherlandish and German Paintings before 1600 in English Churches and Colleges
Volume 6
The Architectural Drawings of Antonio da Sangallo the Younger and His Circle
Vol. III: Antiquity and Theory
The Pilgrim’s Guide to Santiago de Compostela
A Critical Edition: Volume I, The Manuscripts and Volume II, The Text
Volume 14
Similar Books
A Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l’honneur de Shirley Ann Brown
The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis
Balthasar Caymox of Nuremberg
Early Modern German Print Publishers: Popular Prints of the Seventeenth Century
Behind the Scenes of Medieval Roofs
An Overview of the Roofing Systems of Italian Churches
Volume 90
Cities through Time
Glimpses into Urbanity and Community in Mediaeval to Modern West Asia and Egypt
Volume 1
Cuneiform Artefacts from Archaeological Contexts: New Research on Ancient Iraq
Proceedings of a Conference Held at the Bavarian Academy of Sciences and Humanities, July 4–5, 2024
Volume 2
Global Gulf
Geo-Economic, Geo-Political, and Geo-Technological Transformation in Saudi Arabia, the United Arab Emirates, and Qatar
Innovation and Medieval Communities
The Circulation of Ideas and Practices in and out of the Town (1200-1500)
Volume 63
Ismail Hakki Bursevi’s translation of and commentary on Fusus al-Hikam By Muhyiddin Ibn ‘Arabi
Volumes 1-4
John Dunstaple Reading Boethius
John Dunstaple’s Annotations to Boethius’s “De institutione musica” in the Manuscript Oxford, Corpus Christi College Library, MS 118
Legal Visuality
Exegesis, Ambiguity, and Dissimulation of the Donation of Constantine in the Early Modern Period
Linguistic and Cultural Dynamics in a Frontier Society
New Perspectives on Northeastern Bavaria and Western Bohemia in the Early Middle Ages
Volume 9
Medieval Debates on Foreknowledge: Future Contingents, Prophecy, and Divination
Acts of the XXVII Annual Colloquium of the SIEPM, Trento 12-15 September 2023
Volume 31
Medieval Yeghegis, Armenia
History, Archaeology, Society. Local Multiplicities and Global Connections of a Rural Centre on the Silk Road(s)
Monastic Manuscripts from the Eastern Mediterranean (Sinai, Jerusalem, Antioch)
Production, Use, and Contexts
Naples as Laboratory / Laboratorium Neapel
Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting / Plurale Stilbildung, Kunstlerkonkurrenz und Self Fashioning in der neapolitanischen Barockmalerei
Nurturing the Elite
Representations of Drinking, Eating, and Religious Vessels in Palmyrene Funerary Iconography
Volume 13
