Ora pro nobis
The Virgin as Intercessor in Medieval Art and Devotion
By (author) Cathy Oakes
The medieval cult of the Virgin is almost the story of the Middle Ages itself, and to gain an insight into it is an essential step towards an understanding of the period. Although this book sets out to trace the development of the Virgin’s role as intercessor from the twelfth century onwards from a devotional, liturgical and theological viewpoint, it quickly becomes apparent that her high rank as intercessor is entirely dependent on her central status in medieval thinking as Dei Genetrix – Mother of God. It is an iconographic study simply because the subject cannot be understood through textual evidence alone, and the structure of the book, which looks in turn at six types of images of intercession, is determined on this basis. Yet images are considered throughout in relation to texts, and due attention is given to important Mariological writings of the period from Anselm to John Lydgate. Whilst the subject relates to Western European culture as a whole, the book deliberately focuses on English Marian devotion as a case study, an area often overlooked by art historians, but one which yields fascinating insights into the subject.
- By (author) Cathy Oakes
Other Titles in this Series
The Making and Meaning of the Liber Floridus
A Study of the Original Manuscript, Ghent, University Library, MS 92
Volume 76
Pleasure and Politics at the Court of France
The Artistic Patronage of Queen Marie of Brabant (1260-1321)
Volume 64
The Epiphany of Hieronymus Bosch
Imagining Antichrist and Others from the Middle Ages to the Reformation
Early Engravers and their Public
The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500
Volume 39
Venetian Painting in the Fifteenth Century
Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna
Volume 36
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